On February 15, 2016, the song "Coda 3 (Excerpt from Don Quixote)" was released by L. Minkus, Rob Thaller. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rob Thaller's "Music for Ballet Class - Repertoire, Vol. 2" album is number 36 out of 47. On top of that, United States appears to be the country where this track was created. Based on our statistics, Coda 3 (Excerpt from Don Quixote)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Coda 3 (Excerpt from Don Quixote) by L. Minkus, Rob Thaller to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tendu 1 (4/4) | Marina Surgan | C Major | 3 | 8B | 131 BPM | ||
| Warm up Jumps: Bare Necessities | Ian Howells Music | G Major | 1 | 9B | 202 BPM | ||
| Warming-up Ⅰ 2/4 (Suite no.4 op.61) | Eun S. Kim | G Major | 1 | 9B | 87 BPM | ||
| セレナーデ (Degage1) | Miwa Hoshi | G Major | 3 | 9B | 93 BPM | ||
| Waltz | Whitefeather Productions | B♭ Major | 1 | 6B | 154 BPM | ||
| Rond de jamb á terre in E-Major | Konstantin Mortensen | B Major | 1 | 1B | 137 BPM | ||
| Waltz Ⅰ (J.Brahms) | Johannes Brahms, 정아름 | A♭ Major | 1 | 4B | 95 BPM | ||
| Pirouette: Giselle | Lisa Harris | G Major | 2 | 9B | 148 BPM | ||
| Battements tendus I (M. Ponce "Estrellita") | Youngsin Sarah Choi | D Major | 1 | 10B | 106 BPM | ||
| DEGAGES I | Miwa Hoshi | G Major | 3 | 9B | 109 BPM | ||
| Centre: Pirouettes (Jazz Waltz) | Nolwenn Collet | E Minor | 1 | 9A | 128 BPM | ||
| Pirouettes & Grand Battements | SuYeon Park | C Major | 0 | 8B | 82 BPM | ||
| Allegro II-Jetés, Assemblés: Center Floor Technique | David Howard, Joe Cross | E♭ Major | 3 | 5B | 109 BPM | ||
| Grand Battment (from Don Quixote) | Douglas Schultz, Ludwig Minkus | C Major | 1 | 8B | 114 BPM | ||
| Battements tendus Ⅱ 2/4 (The Sleeping Beauty) | Eun S. Kim | G Major | 2 | 9B | 134 BPM | ||
| Centre Adage 2 | Tanya Gordon | E Major | 1 | 12B | 64 BPM | ||
| Blue Moon Waltz (Pirouettes1) | Miwa Hoshi | D Major | 1 | 10B | 72 BPM | ||
| Battements Tendus & Pirouettes 4/4: Aint Misbehavin | Margot Kazimirska | C Major | 3 | 8B | 124 BPM | ||
| Battements Tendus 3 | Tanya Gordon | G Major | 1 | 9B | 81 BPM | ||
| Battements tendus jetés II (N. Paganini Op.1 No.24) | Youngsin Sarah Choi | A♭ Major | 1 | 4B | 104 BPM | ||
| Tendu Roudnev, Vol. 1 | Marina Stolyar, Dmitri Roudnev | C Minor | 0 | 5A | 112 BPM | ||
| Pirouette: Poor Wand'ring One | Ian Howells Music | A♭ Major | 4 | 4B | 161 BPM | ||
| Frappe 2 | Rob Thaller | C Major | 3 | 8B | 120 BPM | ||
| Frappé Roudnev, Vol. 2 | Marina Stolyar, Dmitri Roudnev | A Minor | 1 | 8A | 77 BPM | ||
| Battements tendus jetés I (V. Youmans "Tea for Two") | Youngsin Sarah Choi | D Major | 1 | 10B | 90 BPM |