Jerry Fielding's ' "Exit Peter Quint, Enter The New Governess_Recapitulation And Postlude" was released on its scheduled release date, February 29, 2024. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Exit Peter Quint, Enter The New Governess_Recapitulation And Postlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Nightcomers (Original Score)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. In terms of popularity, Exit Peter Quint, Enter The New Governess_Recapitulation And Postlude is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Exit Peter Quint, Enter The New Governess_Recapitulation And Postlude by Jerry Fielding having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fort Apache - Main Theme | Richard Hageman | F Major | 6 | 7B | 119 BPM | ||
| The Comeback | Franz Waxman | F Major | 2 | 7B | 168 BPM | ||
| Echoes of Me | AI Creations | C Minor | 0 | 5A | 69 BPM | ||
| Whicker's World | Graham De Wilde | D Minor | 4 | 7A | 126 BPM | ||
| A Friend On The Hill - From "Hill Street Blues" | Daniel Caine Orchestra | E♭ Major | 3 | 5B | 99 BPM | ||
| Main Title | Jerry Goldsmith | A♭ Major | 0 | 4B | 120 BPM | ||
| Casablanca | Audrey, the Hepburns | D♭ Major | 5 | 3B | 125 BPM | ||
| Society | Jerry Fielding, Columbia Pictures Studio Orchestra | D♭ Major | 5 | 3B | 103 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Expedition | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Driving | Hans Zimmer | C Major | 1 | 8B | 135 BPM | ||
| Rebecca Suite [Arr. J, Mauceri] | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | B Major | 2 | 1B | 67 BPM | ||
| Spartacus Love Theme | Alex North | A Minor | 3 | 8A | 108 BPM | ||
| Motorboy's Fate | Stewart Copeland | A Major | 2 | 11B | 166 BPM | ||
| Do, Do, Do | George Gershwin, Zubin Mehta, New York Philharmonic | E♭ Major | 1 | 5B | 80 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| The Adventures of Robin Hood: Main Title - Muted Fanfare | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | E♭ Major | 3 | 5B | 124 BPM | ||
| How the West Was Won | Alfred Newman | F Minor | 6 | 4A | 108 BPM | ||
| Space March (Capsule In Space) | John Barry Orchestra | F♯ Major | 3 | 2B | 109 BPM | ||
| The Three Themes (From 'Mon Oncle') | Alain Romans, Franck barcellini | E♭ Major | 3 | 5B | 92 BPM | ||
| Manipulation on the Center Divider | Jerry Fielding | F Minor | 9 | 4A | 169 BPM | ||
| Stagecoach - Main Theme | Richard Hageman | B♭ Major | 5 | 6B | 107 BPM | ||
| Goodbye Carter | Roy Budd | C Major | 6 | 8B | 129 BPM | ||
| The Battle Ground | Jerry Goldsmith | F Major | 3 | 7B | 112 BPM | ||
| Seven Men Completed | Fumio Hayasaka | A♭ Major | 1 | 4B | 104 BPM |