"Lucem Verre Natum" by Anthony Willis had its release date on November 5, 2020. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Lucem Verre Natum and no other songs are present in the album, we classify this track as a single. Based on our statistics, Lucem Verre Natum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lucem Verre Natum by Anthony Willis to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eight Thousand Layers | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM | ||
| Brotherhood - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | C Minor | 1 | 5A | 83 BPM | ||
| Credits | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| Two Titans | Anthony Willis | F Major | 0 | 7B | 124 BPM | ||
| The Autumn Tree | Abel Korzeniowski | F Major | 4 | 7B | 86 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Cassie | Anthony Willis | F Minor | 1 | 4A | 79 BPM | ||
| From Birth | Christophe Beck, Michael Paraskevas | D♭ Minor | 1 | 12A | 90 BPM | ||
| She's Not Real | Hans Zimmer | B♭ Major | 4 | 6B | 51 BPM | ||
| I’m Engaged | Anne Nikitin, Jessica Jones, Tim Morrish | D Major | 0 | 10B | 89 BPM | ||
| Her Face | Nathan Johnson | C Major | 1 | 8B | 68 BPM | ||
| Evacuating London | Harry Gregson-Williams | E Minor | 2 | 9A | 152 BPM | ||
| What You Need Me to Be | Steven Price | A Minor | 0 | 8A | 65 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Journey to Saltburn | Anthony Willis, London Contemporary Orchestra | A♭ Major | 1 | 4B | 87 BPM | ||
| Leaving for the Trial | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| Come Back Soon | Emilie Levienaise-Farrouch | F♯ Major | 0 | 2B | 135 BPM | ||
| They Belong to the Sea | Jan Miserre, John Gürtler | G Major | 9 | 9B | 138 BPM | ||
| Blackfish | Jeff Beal | B♭ Major | 1 | 6B | 100 BPM | ||
| An Immigrant and a Tourist | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 83 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Requiem for All Time | Natalie Holt | D Minor | 2 | 7A | 89 BPM | ||
| Standby | Hans Zimmer | B♭ Major | 4 | 6B | 51 BPM | ||
| Doctor Eleven | Dan Romer | G Major | 1 | 9B | 106 BPM |