"Birthday Song" by Roger Neill had its release date on April 28, 2017. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "On Line (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Birthday Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Birthday Song by Roger Neill having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overtones | Jonny Greenwood | C Major | 2 | 8B | 70 BPM | ||
| Overture (Bus) | Daniel Blumberg | A Minor | 4 | 8A | 126 BPM | ||
| Step Out Of It | Roger Neill | F Major | 0 | 7B | 180 BPM | ||
| Motion in Field | Tom Rogerson, Brian Eno | G Minor | 3 | 6A | 150 BPM | ||
| Rock Fight | Emile Mosseri | B♭ Major | 2 | 6B | 120 BPM | ||
| We Used to Dance | James Murphy | D Minor | 4 | 7A | 150 BPM | ||
| Wolf Like Howls From the Bathhouse (S.E. Land Otter Champs) | Sonny Smith | E Major | 4 | 12B | 90 BPM | ||
| P.B.A. | Nicholas Britell | G Major | 2 | 9B | 81 BPM | ||
| Fragment II | Library Tapes | F Major | 1 | 7B | 80 BPM | ||
| Phantom Thread I | Jonny Greenwood | E Minor | 2 | 9A | 79 BPM | ||
| Going to Brideshead | Geoffrey Burgon | C Minor | 1 | 5A | 97 BPM | ||
| Thesaurus Tuus | Daniel Hart | D Major | 2 | 10B | 60 BPM | ||
| Peer Pressure - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | E Major | 0 | 12B | 68 BPM | ||
| An Ending (Ascent) - Remastered 2005 | Brian Eno | A♭ Major | 1 | 4B | 67 BPM | ||
| Weezer Medley | Chilly Gonzales | C Major | 1 | 8B | 75 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Clearing, Dawn, Dance | Judd Greenstein, yMusic | E♭ Major | 1 | 5B | 90 BPM | ||
| Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
| Voicemail From Emily | Michael Andrews | C Major | 1 | 8B | 123 BPM | ||
| Throwing Pebbles | Anthony Willis, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 110 BPM | ||
| Never Cursed | Jonny Greenwood | B♭ Minor | 2 | 3A | 71 BPM | ||
| Emerald and Stone | Brian Eno, Jon Hopkins, Leo Abrahams | B Major | 0 | 1B | 179 BPM | ||
| Ruth and Sylvie | Daniel Hart | G Major | 2 | 9B | 107 BPM | ||
| As if It Would Have a Universal and Memorable Ending | Shane Carruth | G Major | 3 | 9B | 123 BPM | ||
| Opening Titles | Roger Neill | F Major | 3 | 7B | 130 BPM |