Tyler Bates, Joel J. Richard's 'To Get Back In' had a release date set for March 24, 2023. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tyler Bates, Joel J. Richard's "John Wick: Chapter 4 (Original Motion Picture Soundtrack)" album is number 13 out of 35. On top of that, United States appears to be the country where this track was created. To Get Back In is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Get Back In by Tyler Bates, Joel J. Richard to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Make An Exception | Harry Gregson-Williams | A♭ Major | 2 | 4B | 100 BPM | ||
| You Are One of Us | Joseph Shirley, Ludwig Göransson | C Minor | 1 | 5A | 69 BPM | ||
| Who Did You See? | Ludwig Göransson | E♭ Major | 1 | 5B | 112 BPM | ||
| Tanks | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Mane Title | Michael Giacchino | A Minor | 5 | 8A | 94 BPM | ||
| Norah's Theme | Marco Beltrami, Brandon Roberts | D Minor | 1 | 7A | 170 BPM | ||
| War Machines | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Face Off | John Murphy | E Major | 5 | 12B | 69 BPM | ||
| Wrong Train | Tyler Bates, Joel J. Richard | A Minor | 3 | 8A | 69 BPM | ||
| Double Timing | Chris Benstead | A♭ Major | 3 | 4B | 166 BPM | ||
| Storm Hunt | Harry Gregson-Williams | C Minor | 3 | 5A | 130 BPM | ||
| Under Control | Atli Örvarsson | E Minor | 4 | 9A | 92 BPM | ||
| Grand Central Station | Tyler Bates, Joel J. Richard | B♭ Major | 4 | 6B | 176 BPM | ||
| Point and Shoot | Dave Porter | C Major | 3 | 8B | 116 BPM | ||
| My Dream Ended Here | Johnny Klimek, Tom Tykwer | F Minor | 3 | 4A | 134 BPM | ||
| Beatdown | Primal, Tyler Bates, Joanne Higginbottom | C Major | 7 | 8B | 102 BPM | ||
| Assassin's Creed Mirage : Into the Light (From the Cinematic World Premiere) | Brendan Angelides, Assassin's Creed | D♭ Major | 1 | 3B | 82 BPM | ||
| Voyage to the Bottom of the C (Main Title) | Marco Beltrami, Brandon Roberts | C Major | 4 | 8B | 74 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| Eye for an Eye | Mac Quayle | A Major | 1 | 11B | 92 BPM | ||
| Flare Gun | Rob Simonsen | F♯ Major | 1 | 2B | 143 BPM | ||
| The Brute, Pt 1 | Trent Reznor and Atticus Ross | B♭ Major | 3 | 6B | 110 BPM | ||
| Get Out | David Fleming | A Major | 2 | 11B | 120 BPM | ||
| Behind the Bookcase | Harry Gregson-Williams | D Major | 7 | 10B | 120 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM |