J. Cheever Goodwin, Cincinnati's University Singers, Carol Sweeney-Sparrow's ' "My Heart" was released on its scheduled release date, January 1, 1978. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cincinnati's University Singers's "I Wants To Be A Actor Lady And Other Hits From Early Musical Comedies" album is number 3 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, My Heart is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of My Heart by J. Cheever Goodwin, Cincinnati's University Singers, Carol Sweeney-Sparrow to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peter and the Wolf, Op. 67: And Now This Is How Things Stood | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 99 BPM | ||
| Der Letzte Schritt - 1990 German Cast Recording Of “The Phantom Of The Opera” | Andrew Lloyd Webber, "The Phantom Of The Opera" 1990 German Cast, Peter Hofmann, Anna Maria Kaufmann | B♭ Minor | 6 | 3A | 153 BPM | ||
| Die Dreigroschenoper: Akt I, Kanonensong ("John war darunter und Jim war dabei") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | D♭ Minor | 3 | 12A | 100 BPM | ||
| The Barber and His Wife | Stephen Sondheim, Len Cariou, Paul Gemignani | C Minor | 2 | 5A | 91 BPM | ||
| Black Market | Kate Lindsey, Steven Blier, New York Festival Of Song | E Major | 2 | 12B | 69 BPM | ||
| H.M.S.Pinafore: Now give three cheers...When I was a lad | Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 96 BPM | ||
| Notes / Twisted Every Way | Shunichiro Hanba, Andrew Lloyd Webber, Rumi Iryo, Morimasa Sagawa, Kiyotaka Imai, Kazuyo Kawai, Yoshiko Nishijima, Akira Aoyama, Gekidan Shiki Long-Run Cast, Daisuke Yanase | F Major | 5 | 7B | 82 BPM | ||
| Aan het einde van de horizon | Daens, de musical | B Major | 2 | 1B | 110 BPM | ||
| Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
| Scene: Who's Betty Schaefer? / I Should Have Stayed There | Nicole Scherzinger, Tom Francis, Andrew Lloyd Webber | E♭ Minor | 0 | 2A | 135 BPM | ||
| Ah, Miss | Stephen Sondheim, Sarah Rice, Victor Garber, Merle Louise, Original Broadway Cast of Sweeney Todd: The Demon Barber of Fleet Street, Paul Gemignani | D♭ Major | 3 | 3B | 82 BPM | ||
| Dog Eats Dog - Live | Alun Armstrong | C Major | 3 | 8B | 125 BPM | ||
| 14. I am the very model of a modern Major-General | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 103 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM | ||
| Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| Waltz For Eva And Che - Original Cast Recording/1979 | Tim Rice, Andrew Lloyd Webber, Mandy Patinkin, Patti LuPone, Original Broadway Cast Of Evita, Rene Wiegert | B♭ Major | 3 | 6B | 93 BPM | ||
| The Party's Over | Judy Holliday | D♭ Minor | 1 | 12A | 103 BPM | ||
| H.M.S. Pinafore / Act 1: Now give three cheers...I am the monarch of the sea | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, John Reed, Joyce Wright, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 93 BPM | ||
| Getting Married Today | Madeline Kahn | F♯ Major | 4 | 2B | 132 BPM | ||
| Goodbye My Love | Marin Mazzie | B♭ Major | 1 | 6B | 85 BPM | ||
| My Conviction | Galt MacDermot, Tom Pierson | A♭ Major | 3 | 4B | 57 BPM | ||
| Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
| Over the Rainbow | Gillian Bevan | D Major | 2 | 10B | 60 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM |