Bijli Rani, Rekha Rani, Barkha Rani's ' "Ae Kariyawa" was released on its scheduled release date, December 1, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Palang-Tod Naach Stage Programme Part.1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Ae Kariyawa's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ae Kariyawa by Bijli Rani, Rekha Rani, Barkha Rani having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saasu Mora Mare Rama | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Sajan Na Desh Ma Dhamakya Dhol | Rajdeep Barot | D♭ Major | 6 | 3B | 150 BPM | ||
| Nach Lan Day | Ramkumar Lakha, Manish, Parmod Sanjay Bhagi | G Minor | 9 | 6A | 114 BPM | ||
| Delhi Mumbai Kolkata Ghumaibau | Nitish Sharma | A♭ Major | 9 | 4B | 170 BPM | ||
| Gadi Au Baila | Uttam Tandeshwar | F♯ Major | 8 | 2B | 133 BPM | ||
| Dil Lagi Jo Kar Qadar | Fozia Soomro | B Major | 5 | 1B | 111 BPM | ||
| Humra Par Kaahe Na Dhyan Karelu | Naresh Kumar Yadav, Bijli Rani | C Major | 7 | 8B | 142 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | D♭ Major | 1 | 3B | 66 BPM | ||
| Lawle Mohabbaat Ke Teblet | Sunil Chhaila Bihari, Tripti Shakya | D♭ Major | 8 | 3B | 135 BPM | ||
| dukhiyaari ubi khet me | Beejal Khan | F♯ Major | 7 | 2B | 97 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Tera Dar Har Dar Se Nirala Sai Bhajan | Anup Jalota, Avinash Jha | A Minor | 10 | 8A | 105 BPM | ||
| Jhoolat Baare Palna | Bijli Rani | F Minor | 6 | 4A | 171 BPM | ||
| Hu Taro Premi Pagal Diwano | Rajdeep Barot | B♭ Minor | 7 | 3A | 71 BPM | ||
| Jati Chara Jai Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Laut Ke Aao Gajanand | Shahnaz Akhtar | D♭ Major | 9 | 3B | 128 BPM | ||
| Tor Sang Bharamthe Mola | Gorelal Barman, Ratan Sabiha | F♯ Major | 7 | 2B | 160 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| बरखा के आइल बहार, बदरिया सोना झरल | Chandan Tiwari | F Minor | 7 | 4A | 126 BPM | ||
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Mara Rudiye Rangana Tame Saajana | Parthiv Gohil | G Major | 6 | 9B | 85 BPM | ||
| Aankhi Mare Turi | Dilip Lahariya, Rajkumari Chauhan | A♭ Major | 9 | 4B | 145 BPM |