"Pelléas et Mélisande, Suite, Op. 46: II. Mélisande" by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1995. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Smetana: The Moldau / Sibelius: Finlandia; Pelléas et Mélisande / Liszt: Les Préludes". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Pelléas et Mélisande, Suite, Op. 46: II. Mélisande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande, Suite, Op. 46: II. Mélisande by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 9: IVd. A tempo. Molto adagio - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
| Symphony No. 9: IVf. Fliessender, doch durchaus nicht eilend - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 176 BPM | ||
| Symphony No. 5 in D Minor, Op. 107 "Reformation": III. Andante | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
| Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 141 BPM | ||
| Manon Lescaut, Act III: Intermezzo | Giacomo Puccini, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 87 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
| Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
| Symphony No.7 In A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 120 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Giselle, Act I: No. 4, Retour de la vendange – Valse | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 65 BPM | ||
| Suite No. 3 in D, BWV 1068: 5. Gigue | Johann Sebastian Bach, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 99 BPM | ||
| Serenade for Strings, Op. 48: III. Elegia. Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 3. Allegretto grazioso - Molto vivace | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E♭ Major | 2 | 5B | 145 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
| Symphony No. 9 in C Major, D. 944 "The Great": IV. Finale. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
| Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: III. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
| Giselle / Act 2: No. 15 Grand pas de deux: a) Andante | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 134 BPM | ||
| Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 130 BPM |