John Beasley's ''Round Midnight' had a release date set for August 19, 2016. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Beasley's "MONK'estra, Vol. 1" album is number 5 out of 9. On top of that, United States appears to be the country where this track was created. 'Round Midnight is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 'Round Midnight by John Beasley to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Language of Our Future | Martin Phipps | F Major | 0 | 7B | 85 BPM | ||
| Lessons In Chemistry | Carlos Rafael Rivera | E Minor | 2 | 9A | 85 BPM | ||
| Grand Bazaar, Istanbul | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | C Minor | 6 | 5A | 91 BPM | ||
| Morocco Pursuit | Joe Kraemer | D Minor | 6 | 7A | 80 BPM | ||
| Exosuit | Clinton Shorter | B♭ Major | 6 | 6B | 136 BPM | ||
| Mother Country | Martin Phipps | E♭ Minor | 1 | 2A | 57 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Playing Benny - Las Vegas 1966 | Carlos Rafael Rivera | F Minor | 0 | 4A | 118 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Outlands - From "TRON: Legacy"/Score | Daft Punk | C Major | 4 | 8B | 113 BPM | ||
| Private Property | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| Turning Point | Carlos Rafael Rivera | B♭ Major | 0 | 6B | 84 BPM | ||
| Blackbird (feat. Marvin “Smitty” Smith, Alex Acuña, Bill Cunliffe, John Beasley & Charlie Bisharat) | Andy James, John Patitucci, Marvin Smitty Smith, Alex Acuña, Bill Cunliffe, John Beasley, Charlie Bisharat | C Minor | 7 | 5A | 118 BPM | ||
| No, Not Today | The Prestige | E Minor | 1 | 9A | 135 BPM | ||
| Brother Blue | John Beasley, Robert Hurst, Vinnie Colaiuta | F Minor | 3 | 4A | 99 BPM | ||
| Beyond Terminus | Bear McCreary, Sparks & Shadows | D Minor | 2 | 7A | 95 BPM | ||
| Ps and Qs | Magnus Lindgren, John Beasley | A Minor | 0 | 8A | 95 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Flamingos (Episode 1 - Volcanoes) | Ilan Eshkeri | E Minor | 2 | 9A | 93 BPM | ||
| Mass Winnings | Steve Jablonsky | C Minor | 4 | 5A | 135 BPM | ||
| I Put All That Away | Max Richter | D Minor | 0 | 7A | 184 BPM | ||
| The Whole Of Me | Martin Phipps | G Minor | 1 | 6A | 83 BPM | ||
| Movement | Atticus Ross | A Minor | 4 | 8A | 91 BPM | ||
| Overture to Bird | Magnus Lindgren, John Beasley, The SWR Big Band, Klaus Graf, Matthias Erlewein, Marc Godfroid | F Minor | 4 | 4A | 100 BPM |