"The Language of Our Future" by Martin Phipps had its release date on May 29, 2015. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Woman in Gold (Original Motion Picture Soundtrack) by Martin Phipps. The song's track number on the album is #17 out of 18 tracks. Based on our data, United States was the country where this track was produced or recorded. The Language of Our Future is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Language of Our Future by Martin Phipps has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Language of Our Future being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| Safe Harbor | Carter Burwell | C Major | 2 | 8B | 76 BPM | ||
| L'addition | Charlie Mole, Alastair King, The Chamber Orchestra Of London | C Minor | 1 | 5A | 69 BPM | ||
| After All. Three Hops To Anyone | Adam Peters | F Minor | 1 | 4A | 88 BPM | ||
| These Pages Must Show (End Credits) | Christopher Willis | A Minor | 4 | 8A | 133 BPM | ||
| A la recherche d'une fin | Philippe Rombi | F Major | 0 | 7B | 99 BPM | ||
| Monument to love | John Lunn, The Chamber Orchestra Of London | B Minor | 2 | 10A | 91 BPM | ||
| Buchanan Mansion And Daisy Suite | Craig Armstrong | C Major | 1 | 8B | 126 BPM | ||
| Maud - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | B Major | 1 | 1B | 160 BPM | ||
| On Its Head | Mychael Danna | E♭ Major | 3 | 5B | 135 BPM | ||
| I Hope | Paolo Buonvino | B Minor | 1 | 10A | 64 BPM | ||
| The End Of The World | Clinton Shorter | E Minor | 1 | 9A | 79 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme - Arrest | David Hirschfelder, Unknown Orchestra | A Minor | 1 | 8A | 89 BPM | ||
| We Can Be Just As Fragile | Panu Aaltio | D Minor | 0 | 7A | 46 BPM | ||
| The Establishment | Martin Phipps | B♭ Minor | 2 | 3A | 139 BPM | ||
| Olive Kisses Elizabeth | Tom Howe | D Minor | 2 | 7A | 160 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| The Sluice Gate | Peter Gregson | A♭ Major | 3 | 4B | 80 BPM | ||
| A Little Chaos | Peter Gregson | E♭ Major | 2 | 5B | 138 BPM | ||
| Paris | Craig Armstrong | B Major | 1 | 1B | 73 BPM | ||
| Your Royal Highness | Martin Phipps | E Minor | 3 | 9A | 121 BPM | ||
| Stay The Night | Isobel Waller-Bridge | B♭ Major | 1 | 6B | 116 BPM | ||
| The Earth Spins | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM |