"Into Oblivion" by Shikimo had its release date on August 7, 2020. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Into Oblivion and no other songs are present in the album, we classify this track as a single. The popularity of Into Oblivion is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Into Oblivion by Shikimo to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Insight | Whilefalse | A♭ Major | 8 | 4B | 174 BPM | ||
| Memory Tapes | Shikimo | C Major | 6 | 8B | 95 BPM | ||
| Into Oblivion | Shikimo | A Minor | 8 | 8A | 170 BPM | ||
| Glass Darkly | John Dunder | G Major | 6 | 9B | 104 BPM | ||
| The Golden Boy | Espen Kraft | F Minor | 5 | 4A | 94 BPM | ||
| Flight | Cerulean | F Minor | 7 | 4A | 200 BPM | ||
| Superstars On My Stereo | Nightstop, Tomas Scott | D♭ Major | 7 | 3B | 110 BPM | ||
| 1984 | The Northern Lights | F♯ Major | 7 | 2B | 104 BPM | ||
| Ocean Overdrive | Dream Shore | E♭ Minor | 5 | 2A | 140 BPM | ||
| Final Mission | Shikimo | D Major | 9 | 10B | 102 BPM | ||
| Take Flight | Jordan F | C Major | 6 | 8B | 100 BPM | ||
| Strangers | The Northern Lights | F♯ Major | 6 | 2B | 92 BPM | ||
| Oumuamua | Cassetter | A♭ Major | 6 | 4B | 120 BPM | ||
| Breathe | PYLOT, Polarity, Sleepless-Nights | D♭ Major | 3 | 3B | 160 BPM | ||
| Mourning Moon Departer (Slowed) | Darkest | B♭ Minor | 8 | 3A | 171 BPM | ||
| Had to Get to You | W O L F C L U B, Cadenti | G Minor | 10 | 6A | 130 BPM | ||
| Sukhumvit Haze | Innervisions | A♭ Major | 7 | 4B | 107 BPM | ||
| New Output (Remastered) | Sferro | B♭ Major | 6 | 6B | 140 BPM | ||
| Digital Dream | IcoS | A Minor | 5 | 8A | 100 BPM | ||
| Rabbit In The Headlights | Michael Oakley | D Major | 6 | 10B | 108 BPM | ||
| Relics | Shikimo | G Major | 8 | 9B | 130 BPM | ||
| Dusk | ØRBITA | B Major | 7 | 1B | 97 BPM | ||
| Spaces | Ace Marino | B♭ Major | 9 | 6B | 174 BPM | ||
| I Can't Get Enough | Shades of Thunder, Powernerd, Edictum | A Minor | 5 | 8A | 116 BPM | ||
| Night Trains | Aisle 9 | A♭ Major | 8 | 4B | 101 BPM |