Pyotr Ilyich Tchaikovsky, Johannes Moser, Orchestre de la Suisse Romande, Andrew Manze's 'Variations on a Rococo Theme, Op. 33, TH 57 (Original Version): Thema. Moderato assai quasi Andante' had a release date set for February 1, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 17 in Elgar: Cello Concerto - Tchaikovsky: Roccoco Variations by Johannes Moser, Orchestre de la Suisse Romande, Andrew Manze. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Variations on a Rococo Theme, Op. 33, TH 57 (Original Version): Thema. Moderato assai quasi Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Rococo Theme, Op. 33, TH 57 (Original Version): Thema. Moderato assai quasi Andante by Pyotr Ilyich Tchaikovsky, Johannes Moser, Orchestre de la Suisse Romande, Andrew Manze is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Don Quixote: Act I: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B Minor | 1 | 10A | 136 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| Carnaval, Op. 9: No. 12, Chopin | Robert Schumann, Boris Giltburg | B♭ Minor | 0 | 3A | 92 BPM | ||
| Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
| Le carnaval des animaux, R. 125: XIII. Le cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
| 10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Eldar Nebolsin | G Minor | 2 | 6A | 114 BPM | ||
| Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 2 | 12B | 105 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Coriolan, Op. 62: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | ||
| Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | B♭ Major | 0 | 6B | 138 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
| Dance Of The Cygnets | Westminster Concert Orchestra | D Major | 3 | 10B | 72 BPM | ||
| Giselle: Act I: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 129 BPM | ||
| Midsummer Night's Dream, Op. 61: No. 9, Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
| Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM |