Over It's 'Lost' had a release date set for January 1, 2006. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Step Outside Yourself". In this album, this song's track order is #8. Based on our statistics, Lost's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lost by Over It having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Home Is Where the Heart Is | A Change of Pace | C Major | 9 | 8B | 168 BPM | ||
| (May You One Day) Carry Me Home | The Forecast | E Major | 9 | 12B | 96 BPM | ||
| Everyone's Got Something They're Running Out Of | The Junior Varsity | B Major | 8 | 1B | 159 BPM | ||
| Bob and Bonnie | Houston Calls | E Major | 9 | 12B | 127 BPM | ||
| A Writer's Reference | Halifax | A♭ Minor | 4 | 1A | 112 BPM | ||
| Five Days And Counting | Spitalfield | B Minor | 8 | 10A | 144 BPM | ||
| You Ruined This | The Audition | E♭ Major | 10 | 5B | 126 BPM | ||
| The Process Tonight | Self Against City | E♭ Major | 9 | 5B | 155 BPM | ||
| Majoring in Minors | Sugarcult | A♭ Major | 9 | 4B | 158 BPM | ||
| Whatever It Takes | Letter Kills | D♭ Major | 10 | 3B | 174 BPM | ||
| Why Does Banana Get Shotgun? | The Fullblast | D Major | 9 | 10B | 100 BPM | ||
| American Classic | Hidden In Plain View | E Major | 10 | 12B | 140 BPM | ||
| Hate To See You Go | The Color Fred | F♯ Major | 10 | 2B | 146 BPM | ||
| Too Much Information | Over It | A♭ Minor | 9 | 1A | 150 BPM | ||
| Lawyers | The Audition | D♭ Major | 8 | 3B | 90 BPM | ||
| Bigger Scars Make Better Stories | Search The City | D♭ Major | 9 | 3B | 94 BPM | ||
| Dead To You | Permanent Me | A♭ Major | 6 | 4B | 98 BPM | ||
| Elevators Are Matchmakers | June | D Major | 10 | 10B | 175 BPM | ||
| Feels Like Home | Secret Lives Of The Freemasons | D Major | 8 | 10B | 125 BPM | ||
| Best Mistake | JamisonParker | D Major | 9 | 10B | 127 BPM | ||
| Playing for Keeps | Matchbook Romance | A♭ Major | 10 | 4B | 92 BPM | ||
| Direction | Midtown | F Major | 8 | 7B | 151 BPM | ||
| Blind Truth | Autopilot Off | D♭ Minor | 10 | 12A | 171 BPM | ||
| I Woke Up In A Car | Something Corporate | D♭ Major | 9 | 3B | 107 BPM | ||
| This Is Goodbye | Never Heard of It | D♭ Major | 9 | 3B | 182 BPM |