"Friendly Persuasions: III. Raymonde Linossier" by Jake Heggie, Stephen Costello, Carol Wincenc, José González, Emil Miland had its release date on October 1, 2013. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jake Heggie, Nathan Gunn, Joyce DiDonato's "Heggie: HERE/AFTER" album is number 3 out of 32. On top of that, Netherlands appears to be the country where this track was created. Friendly Persuasions: III. Raymonde Linossier is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Friendly Persuasions: III. Raymonde Linossier by Jake Heggie, Stephen Costello, Carol Wincenc, José González, Emil Miland to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | G Minor | 2 | 6A | 80 BPM | ||
| For a Look or a Touch: III. A Hundred Thousand Stars (Song Cycle Version) | Jake Heggie, Morgan Smith, Music of Remembrance, Mina Miller | B♭ Major | 0 | 6B | 102 BPM | ||
| Intelligence, Act One: Scene 3, What did I marry into? | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, Caitlin Lynch, Michael Mayes, Joshua Blue | F Minor | 3 | 4A | 105 BPM | ||
| Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
| Sauguet: Berceuse créole | Henri Sauguet, Régine Crespin, John Wustman | E♭ Major | 0 | 5B | 65 BPM | ||
| It's a Wonderful Life, Act I: Bedford Falls' Aladdin | Jake Heggie, Houston Grand Opera Orchestra, Patrick Summers, Talise Trevigne, Joshua Hopkins, William Burden, Anthony Dean Griffey | E♭ Major | 6 | 5B | 169 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | G Minor | 2 | 6A | 80 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | F Major | 2 | 7B | 80 BPM | ||
| The Deepest Desire: IV. Primary Colors | Jake Heggie, Joyce DiDonato, David Zobel, Frances Shelly | G Minor | 0 | 6A | 115 BPM | ||
| Duparc: Extase | Henri Duparc, Elsa Dreisig | A♭ Major | 0 | 4B | 129 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
| L'Inconstante | Isabelle Aboulker, Julie Roset, Susan Manoff | C Major | 1 | 8B | 77 BPM | ||
| H.M.S. Pinafore / Act 2: A many years ago | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, Jean Hindmarsh, John Reed, Thomas Round, Joyce Wright, The New Symphony Orchestra Of London, Isidore Godfrey | E Minor | 1 | 9A | 124 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
| Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | ||
| Verdi: Messa da Requiem: VII. Quid sum miser | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique | Carl Orff, Sir Simon Rattle, Knaben des Staats- und Domchors Berlin, Sally Matthews, Berliner Philharmoniker | G Major | 0 | 9B | 126 BPM | ||
| Pelléas et Mélisande, L.88 / Act 1: "Il fait sombre" | Claude Debussy, Francois Le Roux, Maria Ewing, Christa Ludwig, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 0 | 11A | 125 BPM | ||
| Chopin: 17 Songs, Op. 74: No. 9, Melodia | Frédéric Chopin, Teresa Żylis-Gara, Halina Czerny-Stefanska | G Minor | 2 | 6A | 80 BPM | ||
| Three Decembers: Act I: Duet: "What do you remember about Dad?" | Jake Heggie, Gene Scheer, Jake Hegge; Gene Scheer, Houston Grand Opera, Patrick Summers | A♭ Major | 1 | 4B | 89 BPM | ||
| Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | G Minor | 2 | 6A | 80 BPM |