On September 1, 1998, the song "Courante" was released by Antoine Forqueray, Scott Ross. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 13 in Forqueray / Dyphly / Bach by Antoine Forqueray, Scott Ross. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Courante is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Courante by Antoine Forqueray, Scott Ross is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite pour trois violes: II. Allemande - Transcr. for Three Marimbas | Antoine Forqueray, Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet | D Minor | 0 | 7A | 126 BPM | ||
| Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | ||
| Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
| Pièces De Viole - 2Eme Suite. Chaconne. La Buisson | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 14 Les Sauvages | Jean-Philippe Rameau, Jean Rondeau | F Minor | 6 | 4A | 101 BPM | ||
| Improvisation [Harpsichord] | Il Giardino Armonico | E♭ Minor | 1 | 2A | 131 BPM | ||
| La Vénitienne | Antoine Forqueray, Gabriel Rignol | F♯ Major | 0 | 2B | 102 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
| Passacaglia for solo lute | Heinrich Ignaz Franz von Biber, Romanesca, Andrew Manze | E Minor | 0 | 9A | 128 BPM | ||
| Sinfonia in G Major: I. Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | E♭ Major | 1 | 5B | 116 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 122 BPM | ||
| Scarlatti, D: Keyboard Sonata in G Minor, Kk. 8 | Domenico Scarlatti, Scott Ross | A♭ Major | 4 | 4B | 77 BPM | ||
| Missa Divi Xaverii, ZWV 12: Kyrie eleison I | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Major | 1 | 3B | 93 BPM | ||
| Concerto for 2 Violins and Cello in D Minor, RV 565, Op. 3 No. 11: III. Allegro | Antonio Vivaldi, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Pièces De Viole - 2Eme Suite. La Bouron | Jordi Savall, Antoine Forqueray | D♭ Major | 1 | 3B | 121 BPM | ||
| Cello Concerto in B Minor, RV 424 | Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon, Charlotte Nediger | B Major | 2 | 1B | 173 BPM | ||
| Alcidiane Ballet: Ritournelle et air de Mademoiselle Hilaire | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 165 BPM | ||
| Keyboard Sonata No. 24 in D Minor: Allegro | Carlos Seixas, Débora Halász | C Minor | 4 | 5A | 78 BPM | ||
| Pièces de viole, Suite No. 4 in G Minor: VI. Le Carillon de Passy | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Suite No. 1: Prélude | Louis Vierne, Olivier Latry | C Major | 0 | 8B | 83 BPM | ||
| La Girouette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM |