- BPM
- 82
- Key
- F♯ Minor
- Camelot
- 11A
Sir Thomas Monson, his Pavin by Robert Dowland, Paul O'Dette Song Details
Robert Dowland, Paul O'Dette's 'Sir Thomas Monson, his Pavin' had a release date set for 1997. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 16 out of 21 in Dowland: Complete Lute Works, Vol. 5 by Paul O'Dette. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sir Thomas Monson, his Pavin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Sir Thomas Monson, his Pavin by Robert Dowland, Paul O'Dette is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -35.04 dB
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 2%
- Instrumentalness
- 92%
- Liveness
- 12%
- Loudness
- 42%
- Speechiness
- 5%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata for 2 Lutes in A Major (Reconstr. K.E. Schröder): I. Vivace | Silvius Leopold Weiss, Robert Barto, Karl-Ernst Schröder | A♭ Major | 1 | 4B | 87 BPM | |
 | Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | |
 | Sonata No. 103 in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 141 BPM | |
 | Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | |
| Suite in F-Flat Minor: II. Allemande | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | |
 | Passacaglia | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | D♭ Minor | 2 | 12A | 66 BPM | |
 | Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | |
 | Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | |
 | Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Kerll: Sonata for 2 Violins and Continuo in F Major | Johann Caspar von Kerll, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | |
 | Violin Sonata No. 2 in D Minor, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | |
 | La Guitarre Royalle: Gigue 'cherie du Roy' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 1 | 3B | 98 BPM | |
 | Couperin, L: Suite en la: II. Allemande, G. 100 | Louis Couperin, Jean Rondeau | G Minor | 2 | 6A | 84 BPM | |
 | John Perrichon His Coranto | Robert Dowland, Tore-Jarl Bråten | A Major | 1 | 11B | 146 BPM | |
| Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | |
 | Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | |
 | Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | |
 | Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | |
 | Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | Rosary Sonata No. 1 in D Minor "Mariæ Verkündigung": I. Praeludium | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | D♭ Minor | 1 | 12A | 129 BPM | |
 | Recercada sobre tenore | Diego Ortiz, Hille Perl | G Major | 1 | 9B | 139 BPM | |
 | Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: II. Largo | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | G Minor | 1 | 6A | 116 BPM | |
 | Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | |
 | Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM |
- ISRC
- USHM19616416
- Label
- L-M Records/RCA Records