On November 30, 2011, the song "Charkha" was released by Hakam Sufi. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paramjit Sandhu, Pammi Bai, Hakam Sufi's "Mela Yaaran da, Vol. 2" album is number 11 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Charkha is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Charkha by Hakam Sufi to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Driver Karde Firan Sakima | Avtar Chamak, Aman Jot | C Minor | 9 | 5A | 175 BPM | ||
| Solvi Ch Deor Parda | Muhammad Sadiq, Ranjit Kaur | G Major | 5 | 9B | 178 BPM | ||
| Pichli Kiti Pargat Hoyi | Lal Chand Yamla Jatt | B Major | 6 | 1B | 93 BPM | ||
| Tere Teliphone Ne Pavaye Pitne | Kartar Ramla, Manjeet Kaur | F Major | 7 | 7B | 95 BPM | ||
| Amliya Lagde Baarod Muck Giya | Avtar Chamak, Aman Jot | A♭ Major | 9 | 4B | 120 BPM | ||
| Bambao Driver Aauna | Nirmal Bhadkeela, Anita Samana | F Minor | 6 | 4A | 84 BPM | ||
| Dandan Chitiyan Te | Mohammad Sadik, Ranjit Kaur | G Major | 8 | 9B | 175 BPM | ||
| Mela Yaaran Da | Hakam Sufi | C Minor | 4 | 5A | 78 BPM | ||
| Hote Hik Utte Rakh Ke | Naseebo Lal | D♭ Major | 9 | 3B | 172 BPM | ||
| Laare Tere Nahi Mukne | Debi Makhsoospuri | D Minor | 6 | 7A | 78 BPM | ||
| Do Eko Jahiyan Mutiaran | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Mangni | Major Rajsthani | F♯ Major | 7 | 2B | 77 BPM | ||
| Ladjan Kaalje Tere | Balkar Sidhu, Lal Kamal, Saajan Raikoti | C Major | 10 | 8B | 108 BPM | ||
| Jaffi Jatt Di | Amarjit Nagina, Bibi Kiranjyoti | A♭ Major | 8 | 4B | 89 BPM | ||
| Rooh Nal Tak Chann Ve | Hakam Sufi | B♭ Minor | 8 | 3A | 89 BPM | ||
| Pyar Wich Sang Maardi | Harbhajan Shera | F♯ Major | 7 | 2B | 165 BPM | ||
| Teri Na Nu V Haan | Dharampreet, Kuldeep Rasila, Surinder Bachan, Gunaam Gama | B Minor | 7 | 10A | 130 BPM | ||
| Kade Sochiya Nahin Si | Amrita Virk | D Major | 8 | 10B | 83 BPM | ||
| Teriyan Mubarkan Billo | Kartar Ramla, Manjeet Kaur | A♭ Major | 7 | 4B | 174 BPM | ||
| Gal Sone Di Zanjiri | Karnail Gill, Kuldip Kaur | E Minor | 8 | 9A | 141 BPM | ||
| Kha Ke Kasama | Satwinder Bugga | B♭ Minor | 7 | 3A | 151 BPM | ||
| Kaalja Begane Putt Da | Balkar Sidhu, Lal Kamal, Gurbakhsh Albela | F♯ Major | 9 | 2B | 160 BPM | ||
| Bahn Kad Ke Haak Na Maari | Muhammad Sadiq, Ranjit Kaur | F♯ Major | 4 | 2B | 84 BPM | ||
| Rabb Karke Silsila | Surinder Bachan, Ranjit Mani | A Major | 7 | 11B | 89 BPM | ||
| Ticher Makhaul Saliye | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 93 BPM |