"Resolution And Hyperspace" by James Horner, London Symphony Orchestra had its release date on October 25, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 19 out of 24 in Aliens: The Deluxe Edition (Original Motion Picture Soundtrack) by James Horner, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Resolution And Hyperspace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Resolution And Hyperspace by James Horner, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hellbound Heart | Christopher Young | F Minor | 1 | 4A | 95 BPM | ||
| The Neutral Zone: Romulan Encounter | Ron Jones | D Minor | 2 | 7A | 131 BPM | ||
| The Gift of Fury (Arr. for Organ) | Philipp Pelster | G Minor | 0 | 6A | 67 BPM | ||
| Anarchy | Trevor Rabin | F Minor | 6 | 4A | 77 BPM | ||
| The Complex | James Horner, London Symphony Orchestra | F Minor | 3 | 4A | 81 BPM | ||
| The Price Of A Good Trick | The Prestige | A Minor | 2 | 8A | 72 BPM | ||
| Tron Scherzo | London Philharmonic Orchestra, Wendy Carlos | C Major | 2 | 8B | 90 BPM | ||
| Chekov's Run | Leonard Rosenman | F Minor | 3 | 4A | 136 BPM | ||
| Star Trek - First Contact (End Credits) | City Light Symphony Orchestra | C Major | 2 | 8B | 107 BPM | ||
| Assassination - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 68 BPM | ||
| Hello, Beautiful | Stephen Barton, Frederik Wiedmann | C Major | 0 | 8B | 87 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| Concerto to Hell | Christopher Young | A Major | 3 | 11B | 168 BPM | ||
| Funeral / Rebuilding Serenity | David Newman | C Major | 1 | 8B | 63 BPM | ||
| Force Ten from Navarone: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| A Few Friends Save Manhattan | Randy Edelman | F Major | 3 | 7B | 83 BPM | ||
| Main Title | James Horner | G Major | 3 | 9B | 136 BPM | ||
| Across The Board/End Credits | Basil Poledouris | F Minor | 2 | 4A | 79 BPM | ||
| Battle in the Mutara Nebula | James Horner | C Major | 3 | 8B | 83 BPM | ||
| Valerie | Dario Marianelli | D♭ Major | 1 | 3B | 71 BPM | ||
| Sloth & Chunk | Dave Grusin | A♭ Major | 4 | 4B | 116 BPM | ||
| The Murder | Maurice Jarre | D♭ Major | 3 | 3B | 160 BPM | ||
| Doctor Zhivago (Main Title) | Maurice Jarre | A Minor | 2 | 8A | 101 BPM | ||
| The Chronicles Of Riddick | Graeme Revell | D♭ Major | 4 | 3B | 167 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM |