"I Am Not Waiting Anymore" by Field Report had its release date on September 11, 2012. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 10 in Field Report by Field Report. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Am Not Waiting Anymore is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I Am Not Waiting Anymore by Field Report is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| James Blues | J. Tillman | A♭ Minor | 2 | 1A | 98 BPM | ||
| Artifact #1 | Conor Oberst | D Major | 5 | 10B | 81 BPM | ||
| Thanks for Nothing | Middle Brother | A Major | 4 | 11B | 140 BPM | ||
| You Can Make Me Feel Bad | Phosphorescent | E Major | 2 | 12B | 130 BPM | ||
| Hey Rose | Streets of Laredo | A Major | 9 | 11B | 102 BPM | ||
| You'll Never Go | Wake Owl | C Major | 5 | 8B | 116 BPM | ||
| Lady Adelaide | Benjamin Gibbard | G Major | 8 | 9B | 108 BPM | ||
| Heather Remind Me How This Ends | Dolorean | A♭ Major | 3 | 4B | 71 BPM | ||
| Rolling Sea | Vetiver | D Major | 3 | 10B | 135 BPM | ||
| Don't Look Back | Kasey Anderson | B♭ Major | 5 | 6B | 130 BPM | ||
| West Coast | Hey Marseilles | A Major | 7 | 11B | 139 BPM | ||
| Honeymoon | Bombadil | C Major | 6 | 8B | 139 BPM | ||
| Mary May & Bobby | Joe Purdy | B♭ Major | 5 | 6B | 186 BPM | ||
| Speak Plainly Diana | Joe Pug | G Major | 3 | 9B | 88 BPM | ||
| Wind And Walls | The Tallest Man On Earth | F♯ Major | 6 | 2B | 205 BPM | ||
| Thank You | Bombadil | C Major | 2 | 8B | 96 BPM | ||
| Charlie Darwin | The Low Anthem | C Major | 1 | 8B | 83 BPM | ||
| Nation of Heat | Joe Pug | D Major | 5 | 10B | 181 BPM | ||
| I Will Keep The Bad Things From You | The Damnwells | C Major | 1 | 8B | 120 BPM | ||
| Oregon Trail | Joe Purdy | A Major | 5 | 11B | 93 BPM | ||
| Nerves of the Nightmind | Frontier Ruckus | E Minor | 6 | 9A | 133 BPM | ||
| Calabasas | Hey Marseilles | B Major | 3 | 1B | 184 BPM | ||
| Hanging By a Thread | Aaron Espe | F Major | 4 | 7B | 105 BPM | ||
| I Dream of Chicago | Parlours | G Major | 6 | 9B | 96 BPM | ||
| Sprawl II (Mountains Beyond Mountains) | Will Dailey | B Major | 6 | 1B | 97 BPM |