"Missa brevis: VI. Dona nobis pacem" by Leonard Bernstein, Polyphony, Stephen Layton had its release date on June 28, 2015. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Missa brevis: VI. Dona nobis pacem's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 21 in American Polyphony: Barber, Copland, Bernstein, R. Thompson by Polyphony, Randall Thompson, Stephen Layton, Samuel Barber, Leonard Bernstein, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa brevis: VI. Dona nobis pacem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa brevis: VI. Dona nobis pacem by Leonard Bernstein, Polyphony, Stephen Layton is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| West Side Story Symphonic Dances: VIII. Rumble - Live | Leonard Bernstein, Los Angeles Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM | ||
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | D Minor | 3 | 7A | 180 BPM | ||
| William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
| Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I) - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 65 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 2 | 6A | 110 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
| The Queen of Spades, Op. 68: Introduction | Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre Orchestra | D Major | 2 | 10B | 176 BPM | ||
| Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A♭ Major | 0 | 4B | 132 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
| Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, The Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
| Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Bernard Haitink | E Minor | 2 | 9A | 96 BPM |