On December 1, 1998, the song "Zulmi Nazariya Tohaar" was released by Bijli Rani. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Bijli Rani's "Joban Rasdar" album is number 7 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Zulmi Nazariya Tohaar is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Zulmi Nazariya Tohaar by Bijli Rani to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kekari Padal Bad | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | D♭ Major | 1 | 3B | 66 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Tera Khana Kharab - Sawal | Chhote Yusuf Azad | G Major | 5 | 9B | 99 BPM | ||
| Mor Launde Raja | Bijli Rani, Dabbu Shukla, Rekha Rani | E Major | 7 | 12B | 185 BPM | ||
| Kona Ka Tutlaou Moti Ke Har | Sunil Jha Pawan | D♭ Major | 8 | 3B | 98 BPM | ||
| Maff Kardo Data jI Hamre Kasoor, Dera Sacha Sauda | Rehmat Records | A♭ Minor | 7 | 1A | 166 BPM | ||
| Satguru Mohe Le Gayo | Hare Madhav Official | D♭ Major | 7 | 3B | 109 BPM | ||
| Sherawali Pahadawali | Sonu Nigam | F♯ Major | 5 | 2B | 94 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| Ei Dehar Mullo Nai | Basudeb Rajbanshi | D♭ Major | 6 | 3B | 150 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Ninu Matrame Ne Nammanaya | Telugu Christian Music | F♯ Major | 5 | 2B | 94 BPM | ||
| Sun Ae Suruj Mal | Bijli Rani | F♯ Minor | 5 | 11A | 121 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Shab e Mahtob شب مهتاب | Ahmad Wali | E Major | 4 | 12B | 90 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Te Akela Abe Wo | Gofelal Gendle | F♯ Major | 9 | 2B | 120 BPM | ||
| Khela Shesh Tor Korene Mon | Gostho Gopal Das | F♯ Major | 7 | 2B | 91 BPM | ||
| Der Khwaja Ki Taraf | Mohammed Aziz | E♭ Major | 1 | 5B | 119 BPM | ||
| Dwar Ke Chhikai | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Shiv Ho Utrab Paar | Mithilesh Mishra | G Minor | 10 | 6A | 150 BPM | ||
| Dhadhkat Aagi Ma | Gorelal Burman, Ratan Sabiha | E Major | 7 | 12B | 138 BPM |