On March 1, 1992, the song "Mor Launde Raja" was released by Bijli Rani, Dabbu Shukla, Rekha Rani. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in Dardiya E Balam by Bijli Rani, Dabbu Shukla, Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Mor Launde Raja is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Mor Launde Raja by Bijli Rani, Dabbu Shukla, Rekha Rani is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Kiya Maari Chhe Chovaniya | Dilip Darbhangiya | G Minor | 10 | 6A | 75 BPM | ||
| Palna | Chhagan Chougule | G Major | 5 | 9B | 133 BPM | ||
| Kalyug Ke Holi 2 | Guddu Rangila | D Major | 8 | 10B | 88 BPM | ||
| Chhepi Joro Mero Yaar Pahadan Manh Bhaderwahi Song | Mool Raj Misher | F Minor | 6 | 4A | 103 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Ab Ayib Gelechhi Aha Ke Darbaar Maa | Poonam Mishra | A♭ Major | 6 | 4B | 83 BPM | ||
| Durga Mayiya Badi Sher Per Sawar Ho | Bijli Rani | B♭ Major | 6 | 6B | 162 BPM | ||
| Bhebe De Tu Maja | Naresh Kumar Yadav, Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Ladike Hiya Badi Chooji Re | Naresh Kumar Yadav, Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Kavna Goonwa Se Ae Prabhu Jee | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Choli Chap Chap Kare | Bijli Rani | D Major | 8 | 10B | 88 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Karin Hum Kaun Bahana | Madan Rai | A♭ Minor | 7 | 1A | 118 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Hare Hare Dubhiya | Sharda Sinha | F♯ Major | 4 | 2B | 102 BPM | ||
| Awat Hohi Baba | Gorelal Barman, Ratan Sabiha | E Major | 6 | 12B | 152 BPM | ||
| Lale Lal Bhawani | Kunj Bihari Mishr | F♯ Minor | 8 | 11A | 150 BPM | ||
| Mere Sahiba Mein | Sadhvi Purnima Ji | B♭ Minor | 6 | 3A | 140 BPM | ||
| Baila Aa Baghawa Mein | Bharat Sharma Vyas | C Major | 9 | 8B | 140 BPM | ||
| Koi Na Pyar Kare | Devinder Kohinoor | A Major | 5 | 11B | 146 BPM | ||
| Argala Strot Namskar (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | B♭ Major | 5 | 6B | 110 BPM | ||
| Kashi Bhola Ke Rajdhani | Bharat Sharma Vyas | B♭ Minor | 8 | 3A | 132 BPM | ||
| Kudiye Ni Tere Brown (Brown Rang 90s Mix) | SB STAR, Yo Yo Jabra Fan, HANU K | A Major | 6 | 11B | 91 BPM |