"Blue" by Raffaele Bellafronte, Francesco D'Orazio, Maria Gamboz had its release date on June 25, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Bellafronte: Arakathalama by Raffaele Bellafronte, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Blue's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Blue by Raffaele Bellafronte, Francesco D'Orazio, Maria Gamboz is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capricho Catalán | Isaac Albéniz, David Russell | E Minor | 1 | 9A | 91 BPM | ||
| Flexis | Raffaele Bellafronte, Davide Di Ienno | D Minor | 1 | 7A | 87 BPM | ||
| 祈り | Ernest Bloch, ヤーノシュ・シュタルケル, 岩崎淑 | F Minor | 0 | 4A | 88 BPM | ||
| Suite Pour Violoncelle Seul N°3 En Ut Majeur BWV 1009 : Prélude - Remasterisé En 1987 | Paul Tortelier | D Major | 0 | 10B | 97 BPM | ||
| Lecon, Op. 60: No. 22 in E Minor | Fernando Sor, Nicholas Goluses | E Minor | 1 | 9A | 131 BPM | ||
| Lauro: Romanza | Antonio Lauro, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | G Major | 6 | 9B | 157 BPM | ||
| A Collection of Old Scots Tunes: Busk ye busk ye my bonny bride (Arr. by Söllscher) | Francesco Barsanti, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 55 BPM | ||
| Histoire du tango pour flûte et guitare: Bordel 1900 | Cécile Daroux, Pablo Marquez | A Major | 1 | 11B | 73 BPM | ||
| 6 Schubertian Songs (arr. J. Mertz for guitar): Winterreise, Op. 89, D. 911: No. 13. Die Post (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Souvenir de Spa, Op. 2: IV. Allegro | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | F♯ Minor | 2 | 11A | 149 BPM | ||
| ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Harpsichord Concerto No. 1 in D minor BWV 1052 (from reconstructed lost violin concerto): Adagio | Johann Sebastian Bach, Xuefei Yang | G Minor | 1 | 6A | 80 BPM | ||
| Sonata for Cello and Piano, Op. 40: III. Largo | Dmitri Shostakovich, Markus Stockler, Viktor Yampolsky | C Major | 2 | 8B | 80 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Perpetual Motion, Op. 28 | Jayda Leysath, Yaroslav Medvedev-Taraldset | G Minor | 5 | 6A | 103 BPM | ||
| Dido´s Lament | Henry Purcell, David Orlowsky, David Bergmüller | A♭ Minor | 1 | 1A | 79 BPM | ||
| Brighten Up | Veridia | A♭ Minor | 6 | 1A | 137 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | G Major | 6 | 9B | 157 BPM | ||
| Saint-Saëns: Berceuse pour violon et piano, Op. 38 | Camille Saint-Saëns, Olivier Charlier, Jean Hubeau | G Major | 1 | 9B | 122 BPM | ||
| Homenaje a Escocia (Variaciones sobre un tema escocés) | Antonio Chover Salom, Carlos Blanco Ruiz | C Major | 1 | 8B | 140 BPM | ||
| Serse, HWV 40: Aria. Ombra mai fu "Largo" (arr. A. Wilhelmj for Violin & Piano) | George Frideric Handel, Livia Sohn, Benjamin Loeb | C Minor | 2 | 5A | 123 BPM | ||
| Elegy No. 3, "Romanza Patetica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 71 BPM | ||
| Goldberg Variations, BWV 988: Var. XIX. (Arr. for String Orchestra by Dana Anka) [Excerpt] | Johann Sebastian Bach, The Stradivari Orchestra | G Major | 0 | 9B | 141 BPM |