Sam Hulick's 'Combat Simulator Tier 3' had a release date set for October 8, 2013. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in EA Games Soundtrack's "Mass Effect 3: Citadel (Video Game Official Soundtrack)" album is number 17 out of 20. Based on our statistics, Combat Simulator Tier 3's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Combat Simulator Tier 3 by Sam Hulick to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fatum Iustum Stultorum I | Trocadero, David Levy | B♭ Minor | 6 | 3A | 90 BPM | ||
| Bile and Venom | Jon Everist, Paradox Interactive | C Minor | 5 | 5A | 143 BPM | ||
| Last Turn | Pawel Blaszczak | D Major | 6 | 10B | 120 BPM | ||
| Close Encounter | Tilman Sillescu | D♭ Major | 9 | 3B | 120 BPM | ||
| Shadowthorn Thicket | Ari Pulkkinen | C Minor | 1 | 5A | 96 BPM | ||
| A New Threat is Born | Kota Suzuki, Azusa Kato, Ryo Koike | D♭ Major | 4 | 3B | 132 BPM | ||
| One by One | Cliff Martinez | A Major | 9 | 11B | 167 BPM | ||
| The Three Towers | Stephen Barton | A♭ Major | 4 | 4B | 120 BPM | ||
| Assassins Of Kings | Adam Skorupa, Krzysztof Wierzynkiewicz | C Major | 6 | 8B | 126 BPM | ||
| Oath of Malacath | Brad Derrick | D Minor | 6 | 7A | 87 BPM | ||
| The Clearing | Sam Hulick | G Major | 2 | 9B | 70 BPM | ||
| The Jungle/Waves Of Darkness | Johan Söderqvist, Patrik Andrén | C Major | 7 | 8B | 130 BPM | ||
| Jacob | Jack Wall | D Minor | 4 | 7A | 140 BPM | ||
| We Are the Division | Ola Strandh | E Minor | 2 | 9A | 120 BPM | ||
| Hunting The Hive Tyrant | Doyle W. Donehoo | G Major | 5 | 9B | 116 BPM | ||
| I Was Lost Without You | Sam Hulick | D Minor | 1 | 7A | 100 BPM | ||
| Battle Within, Battle Without | Cris Velasco, Sascha Dikiciyan | C Major | 8 | 8B | 120 BPM | ||
| Infiltration | Sascha Dikiciyan, Cris Velasco | A Major | 4 | 11B | 125 BPM | ||
| Seized From The Depths - Part 1 - Motherland | Joris de Man | B♭ Minor | 5 | 3A | 158 BPM | ||
| Farewell and Into the Inevitable | Sam Hulick | C Major | 1 | 8B | 80 BPM | ||
| I'm No Different Than You | Mike Zarin, Tony Hajjar | D Major | 2 | 10B | 125 BPM | ||
| March on Axylus | Jon Everist, Paradox Interactive | G Major | 7 | 9B | 126 BPM | ||
| The Halftrack Chase | Michael Giacchino | A Minor | 5 | 8A | 100 BPM | ||
| The BattleField I | Arnaud Roy | D Minor | 3 | 7A | 150 BPM | ||
| In the Line of Fire | John Devereaux | D Minor | 4 | 7A | 98 BPM |