"Post Audition" by Roger Neill had its release date on November 11, 2016. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 18 in Don't Think Twice (Original Motion Picture Soundtrack) by Roger Neill. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Post Audition is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Post Audition by Roger Neill is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Snow Canon | Group Listening | F Major | 3 | 7B | 132 BPM | ||
| Falling Off A Bicycle Plus | Cliff Martinez | D Minor | 0 | 7A | 76 BPM | ||
| Post Audition | Roger Neill | D Major | 1 | 10B | 180 BPM | ||
| Idea of Order at Kyson Point | Tom Rogerson, Brian Eno | G Major | 0 | 9B | 74 BPM | ||
| No One Was Equipped For This | Roger Neill | C Major | 0 | 8B | 140 BPM | ||
| Out of Nothing, Everything | Dan Romer | G Major | 2 | 9B | 180 BPM | ||
| Phantom Thread I | Jonny Greenwood | E Minor | 2 | 9A | 79 BPM | ||
| C'est le vent, Betty | Gabriel Yared | F Major | 2 | 7B | 182 BPM | ||
| Rainfall | Michael Jones, David Darling | G Major | 0 | 9B | 154 BPM | ||
| Pretty In Plums | Shida Shahabi | A♭ Minor | 3 | 1A | 77 BPM | ||
| The Hem | Jonny Greenwood | B♭ Minor | 2 | 3A | 116 BPM | ||
| Pièces De Clavecin, Book II 6e Ordre n°5: Les Barricades Mistérieuses | Hanan Townshend | D Major | 1 | 10B | 73 BPM | ||
| Etude 1 | Nico Muhly, Nadia Sirota | B♭ Major | 2 | 6B | 176 BPM | ||
| On the Road | Jay Wadley | A Major | 0 | 11B | 138 BPM | ||
| Inspiration! | Nick Urata | F♯ Major | 3 | 2B | 134 BPM | ||
| Eros | Nicholas Britell | G Major | 3 | 9B | 84 BPM | ||
| Part 1/ IBM 1401 Processing Unit | Jóhann Jóhannsson | D Major | 3 | 10B | 64 BPM | ||
| Going Backwards to Recover That Which Was Left Behind | Christina Vantzou | B Major | 1 | 1B | 147 BPM | ||
| Lady Bird Kiss | Jon Brion | A Major | 1 | 11B | 114 BPM | ||
| Reliquary: 1. Cantus Firmus - For Burberry | Ilan Eshkeri, London Metropolitan Orchestra, Rosey Chan, Bethany Horak Hallett, Daisy Chute, Tim Lacy | C Major | 3 | 8B | 140 BPM | ||
| Third Floor Hallway | Punch-Drunk Love | A Minor | 1 | 8A | 114 BPM | ||
| A Snowflake | Peter Broderick | F♯ Minor | 1 | 11A | 125 BPM | ||
| L'assoluto naturale | Ennio Morricone | G Major | 3 | 9B | 107 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Orff-Schulwerk: Gassenhauer | Gunild Keetman, Various Artists, Slovak Philharmonic, English String Orchestra, Polish National Radio Symphony Orchestra, Czecho-Slovak Symphony Orchestra | C Major | 1 | 8B | 101 BPM |