Ruth Barrett's 'A Modern Fairytale' had a release date set for May 1, 2011. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 21 in Cinematic Beauty by Ruth Barrett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, A Modern Fairytale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Modern Fairytale by Ruth Barrett is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Assassination | Max Richter | D Major | 4 | 10B | 85 BPM | ||
| We'll Manage On Our Own | Dan Romer | D Minor | 2 | 7A | 92 BPM | ||
| I Am No Longer Hungry | Steven Price | D Major | 1 | 10B | 113 BPM | ||
| Born To Be Wild | David Schweitzer | C Major | 2 | 8B | 86 BPM | ||
| Pidiendo Mas | Casualidades Del Destino | E Minor | 4 | 9A | 75 BPM | ||
| Dynasties Opening Titles | Benji Merrison, Will Slater | E Minor | 3 | 9A | 108 BPM | ||
| Matchmaking | Ruth Barrett, Jon Wygens | B Minor | 2 | 10A | 163 BPM | ||
| The Royal Birth | Ruth Barrett | F Major | 1 | 7B | 87 BPM | ||
| Needfire | Bear McCreary | D Minor | 1 | 7A | 64 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Bathsheba and Oak Unite | Craig Armstrong | G Major | 2 | 9B | 82 BPM | ||
| Island Girl | Anne Nikitin | E Minor | 2 | 9A | 164 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Spring Sheep Dip | Craig Armstrong | A Major | 2 | 11B | 142 BPM | ||
| The Garden | Dario Marianelli | E Major | 2 | 12B | 82 BPM | ||
| The End Of The World | Clinton Shorter | E Minor | 1 | 9A | 79 BPM | ||
| A Contract With The Jury | Clinton Shorter | G Major | 0 | 9B | 77 BPM | ||
| A Fraser Officer Survived | Bear McCreary | D Minor | 2 | 7A | 77 BPM | ||
| The Shores of Scotland | Max Richter | B Minor | 5 | 10A | 143 BPM | ||
| Grace Penn VP | Marcelo Zarvos | D♭ Major | 1 | 3B | 171 BPM | ||
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| Patience Saves Bea | Hannes De Maeyer, Ruben de Gheselle | E♭ Minor | 3 | 2A | 75 BPM | ||
| She Is Slowly Dying | Kevin Smuts | G Major | 0 | 9B | 65 BPM | ||
| Louisa Breaks Down | Ruth Barrett, Jon Wygens | E♭ Major | 2 | 5B | 74 BPM | ||
| Farewell to Sanditon | Ruth Barrett, Jon Wygens, David Schweitzer | B Minor | 2 | 10A | 135 BPM |