アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団's 'バレエ音楽「ガイーヌ」より 若いクルド人の踊り' had a release date set for September 18, 1999. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 日本ステレオ初期名盤選 - 1 ロシア管弦楽曲集, so we believe that "バレエ音楽「ガイーヌ」より 若いクルド人の踊り" is a single. In terms of popularity, バレエ音楽「ガイーヌ」より 若いクルド人の踊り is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「ガイーヌ」より 若いクルド人の踊り by アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Symphony No. 2, Op. 9, "Antar": I. Largo - Allegro - Largo - Allegretto - Adagio - Allegretto - Largo | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | F♯ Major | 0 | 2B | 71 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | A Major | 1 | 11B | 172 BPM | ||
| Overture to The Tsar's Bride - Instrumental | Nikolai Rimsky-Korsakov, Andre Kostelanetz, Andre Kostelanetz & His Orchestra | D Major | 3 | 10B | 128 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Minor | 1 | 5A | 57 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| 交響詩《ローマの祭》 IV. 公現祭 | Ottorino Respighi, Andrea Battistoni, Tokyo Philharmonic Orchestra | D Major | 5 | 10B | 152 BPM | ||
| Borodin: Prince Igor, Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Herbert von Karajan, Philharmonia Orchestra | F Major | 2 | 7B | 90 BPM | ||
| Fontane di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Major | 5 | 9B | 82 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 3, Lise and the Ribbon | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Major | 1 | 9B | 121 BPM | ||
| Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Slavonic Dance, Op. 72 No. 7 (Live) | Shen Yun Symphony Orchestra | G Minor | 4 | 6A | 86 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | D♭ Major | 0 | 3B | 80 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 129 BPM | ||
| Symphony No. 9 in E minor, op. 95 From the New World: Allegro con fuoco | Aldo Ceccato | E Minor | 1 | 9A | 127 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Sonnenaufgang | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | A Major | 4 | 11B | 98 BPM | ||
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| Two Nordic Melodies, Op. 63 for string Orchestra: I folketonestil (In Folk Style). Andante | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | A♭ Major | 0 | 4B | 83 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Variations On An Original Theme (enigma), Op. 36 | Edward Elgar, London Symphony Orchestra, Eduardo Mata | C Minor | 1 | 5A | 80 BPM |