- BPM
- 108
- Key
- E Minor
- Camelot
- 9A
The Soldier's Tale (Excerpts): The Little Concert by Igor Stravinsky, Leonard Bernstein Song Details
Igor Stravinsky, Leonard Bernstein's ' "The Soldier's Tale (Excerpts): The Little Concert" was released on its scheduled release date, 1947. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Soldier's Tale (Excerpts): The Little Concert is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of The Soldier's Tale (Excerpts): The Little Concert by Igor Stravinsky, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -15.914 dB
- Acousticness
- 92%
- Danceability
- 59%
- Energy
- 25%
- Instrumentalness
- 95%
- Liveness
- 6%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 74%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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| Four Orchestral Pieces Op. 12 (Sz 51): II. Scherzo: Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | |
 | The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | |
 | Printemps, L. 61: I. Très modéré | Claude Debussy, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM | |
 | Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | |
 | Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | D Major | 1 | 10B | 140 BPM | |
 | Symphony No. 1 in D Minor, Op. 13: II. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | |
 | Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto - Un pocchettino con moto - Tempo primo | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Minor | 0 | 1A | 136 BPM | |
 | Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | |
 | La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 0 BPM | |
 | Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | |
 | Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | |
 | Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | |
 | Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | |
 | The Rake's Progress, Act I Scene 3: Aria. Quietly, night… (Anne) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | E Minor | 1 | 9A | 119 BPM | |
 | Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 3 | 7B | 125 BPM | |
 | Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | |
 | Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM |
- ISRC
- USSM11705714
- Label
- L-M Records/RCA Records