Rutland Boughton, Kenneth McKellar, Peter Knight, Orchestra's ' "Faery Song (from "The Immortal Hour")" was released on its scheduled release date, January 1, 1999. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth McKellar's "Kenneth McKellar - The Decca Years" album is number 6 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Faery Song (from "The Immortal Hour") is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Faery Song (from "The Immortal Hour") by Rutland Boughton, Kenneth McKellar, Peter Knight, Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Music Sounds: 5. I'll Sing | Rebecca Dale, Cantus Ensemble, The Studio Orchestra, Jeff Atmajian | F Major | 0 | 7B | 81 BPM | ||
| Three Songs without Words: Whence! | Rutland Boughton, Mark Baigent, Sophie Barber, Chian Lim, Stephen Orton | B♭ Minor | 1 | 3A | 69 BPM | ||
| Schwanengesang, D.957 (Cycle) - Arr. I Salonisti: Ständchen | Franz Schubert, Thomas Füri, I Salonisti, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | D Major | 0 | 10B | 89 BPM | ||
| 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast | Rutland Boughton, New London Orchestra, Ronald Corp | D Major | 1 | 10B | 99 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| When You & I Were Young, Maggie | John McCormack | A Major | 1 | 11B | 78 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano] | Camille Saint-Saëns, Clara Rockmore, Nadia Reisenberg | G Major | 1 | 9B | 93 BPM | ||
| Movement I: Heroes | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | F Major | 1 | 7B | 120 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | E Minor | 0 | 9A | 77 BPM | ||
| My Love Is Like a Red, Red Rose | Kenneth McKellar | D♭ Major | 2 | 3B | 166 BPM | ||
| Porgy and Bess, Act I Scene 1: Summertime (Arr. for Theremin & Piano) | George Gershwin, Clara Rockmore, Nadia Reisenberg | G Major | 0 | 9B | 73 BPM | ||
| Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
| The Immortal Hour, Act II: No. 4, Hail, Eochaidh, High King of Eiré, Hail! (Bards/Maidens/Warriors) | Rutland Boughton, Geoffrey Mitchell Choir, Alan G. Melville, English Chamber Orchestra, David Wilson-Johnson | G Major | 1 | 9B | 65 BPM | ||
| Sea Pictures, Op. 37: No. 4, Where Corals Lie | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | G Minor | 1 | 6A | 135 BPM | ||
| Requiem: In Paradisum - Live | Gabriel Fauré, The Sixteen, Academy of St. Martin in the Fields | D Major | 0 | 10B | 82 BPM | ||
| Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| Fastnachts-Sinfonie: Tranquillo non troppo sostenuto (1) | Richard Flury, BBC Symphony Orchestra, Paul Mann | A♭ Major | 1 | 4B | 80 BPM | ||
| Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice | Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio | D Minor | 0 | 7A | 84 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | ||
| 3 Songs Without Words for Oboe Quartet: I. Whence! Andante delicato | Rutland Boughton, Sarah Francis, The Rasumovsky Quartet | C Major | 2 | 8B | 131 BPM |