"Rota: Love Theme (Romeo and Juliet) (Arr. by R. Hayman)" by Nino Rota, Boston Pops Orchestra, Arthur Fiedler had its release date on January 1, 2005. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in Best Of/20th Century by Arthur Fiedler. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Rota: Love Theme (Romeo and Juliet) (Arr. by R. Hayman) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rota: Love Theme (Romeo and Juliet) (Arr. by R. Hayman) by Nino Rota, Boston Pops Orchestra, Arthur Fiedler is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Autumn Breeze | SaVaa | C Major | 2 | 8B | 107 BPM | ||
| Clarinet & Saxophone Concerto: II. Calm Lake, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | B♭ Minor | 4 | 3A | 74 BPM | ||
| Celestial Echo | Astrid Voix | B♭ Minor | 2 | 3A | 90 BPM | ||
| Il Bidone | Nino Rota | E♭ Major | 4 | 5B | 118 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Sempre Per Te | Michael Bennett | B♭ Minor | 2 | 3A | 90 BPM | ||
| Vito And Abbandando | Carmine Coppola | F♯ Minor | 2 | 11A | 82 BPM | ||
| Theme (From "Born on the Fourth of July") - Excerpt | John Williams, Tim Morrison, Boston Pops Orchestra | D Major | 2 | 10B | 83 BPM | ||
| Chariots Of Fire: Main Theme | Boston Pops Orchestra, John Williams | D♭ Major | 3 | 3B | 123 BPM | ||
| Distintas Realidades | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
| Jasmine-Warm Morning | Bheto VN | B♭ Minor | 2 | 3A | 90 BPM | ||
| The Marriage Proposal (Greensleeves) | Alfred Newman, MGM Studio Orchestra | E Minor | 2 | 9A | 69 BPM | ||
| La notte di San Lorenzo | Nicola Piovani | A Minor | 0 | 8A | 123 BPM | ||
| Suite from the Natural | Boston Pops Orchestra, Keith Lockhart, Tanglewood Festival Chorus | F Major | 3 | 7B | 77 BPM | ||
| Parade of Charioteers from Ben Hur - Instrumental | Miklós Rózsa, John Williams, Boston Pops Orchestra | A Major | 4 | 11B | 105 BPM | ||
| The Phantom Melody | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 91 BPM | ||
| Notte Quieta | Luciano Lombardi | G Minor | 2 | 6A | 85 BPM | ||
| The Man from Snowy River (Arr. for Piano & Chamber Orchestra by Sam Abramson) | Bruce Rowland, BYU Chamber Orchestra, Nathan Haines, Molly Smith | D Major | 2 | 10B | 83 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Que Noche - De "West Side Story" | Henry Salomon y su Orquesta | D Major | 3 | 10B | 112 BPM | ||
| Love Imagined Intro | Khaled Hammad | D Major | 2 | 10B | 138 BPM | ||
| Prologue (Look Down) / At the End of the Day | Bournemouth Symphony Orchestra, Seann Alderking | F Minor | 3 | 4A | 100 BPM | ||
| Medley from "The Sound of Music" | Orlando Pops Orchestra, Andrew Lane | F Major | 1 | 7B | 85 BPM | ||
| Breeze for the Stars | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Ludmilla W Strakowa | E Major | 1 | 12B | 59 BPM | ||
| She Need You | Sibille Crawford, Neon Lilith, Mara Xantal | B♭ Major | 3 | 6B | 135 BPM |