"Suite from the Natural" by Boston Pops Orchestra, Keith Lockhart, Tanglewood Festival Chorus had its release date on April 4, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "The Red Sox Album". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Suite from the Natural is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite from the Natural by Boston Pops Orchestra, Keith Lockhart, Tanglewood Festival Chorus having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flight to Neverland (From "Hook") | John Williams, Boston Pops Orchestra | C Major | 3 | 8B | 82 BPM | ||
| The Watermill | Ronald Binge, New London Orchestra, Ruth Scott, Ronald Corp | B♭ Major | 1 | 6B | 71 BPM | ||
| L'Arlésienne Suite, No. 2: IV. Farandole | Georges Bizet, Jean Martinon | D Major | 7 | 10B | 77 BPM | ||
| Tales of Hoffmann - Barcarolle | Arthur Fiedler, Jacques Offenbach, Boston Pops Orchestra | D Major | 2 | 10B | 74 BPM | ||
| Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
| Rondeau From Sinfonies De Fanfares | Jean-Joseph Mouret, Craig Duncan | D Major | 3 | 10B | 160 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Close Encounters Of The Third Kind - Suite | John Williams, Boston Pops Orchestra | B Major | 2 | 1B | 64 BPM | ||
| The Carousel Waltz | Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra | D Major | 3 | 10B | 70 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
| The Liberty Bell | John Philip Sousa, The Band Of The Grenadier Guards, Rodney Bashford | F Major | 7 | 7B | 119 BPM | ||
| Rodeo: Hoe-Down | Aaron Copland, Arthur Fiedler, Boston Pops Orchestra | C Major | 8 | 8B | 90 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Suite from the Natural | Boston Pops Orchestra, Keith Lockhart, Tanglewood Festival Chorus | F Major | 3 | 7B | 77 BPM | ||
| Crown Imperial | William Walton, London Chamber Orchestra, Christopher Warren-Green, Fanfare Team from the Central Band of the Royal Air Force | C Major | 3 | 8B | 88 BPM | ||
| Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 88 BPM | ||
| Madama Butterfly: Entrance of Butterfly | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra | C Major | 3 | 8B | 123 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM |