"Three Treasures" by Thomas Walker had its release date on January 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "T'ai Chi: Music for Relaxation". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. Based on our statistics, Three Treasures's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Treasures by Thomas Walker having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kuan Yin | Troika | E Major | 1 | 12B | 84 BPM | ||
| The Last Baiji | Guan Guo Sheng | E Minor | 1 | 9A | 88 BPM | ||
| High on the Mountain | Bill Webb | E Minor | 1 | 9A | 112 BPM | ||
| Ancient Stones | Runestone | D Minor | 2 | 7A | 146 BPM | ||
| Lazarus Requiem: Tableau One | Patrick Hawes, Thomas Walker, Elin Manahan Thomas, Rachael Lloyd, Royal Scottish National Orchestra | C Major | 0 | 8B | 71 BPM | ||
| Awakening to the Silence | waldoMorpheo | B♭ Major | 1 | 6B | 130 BPM | ||
| Never Let Me Down | Thomas Walker | A Minor | 5 | 8A | 100 BPM | ||
| Approaching the North | Sambodhi Prem | E Minor | 2 | 9A | 65 BPM | ||
| Flavio, Re de' Longobardi, HWV 16, Act I Scene II: Lotario, al sacro nodo (Ugone, Lotario, Guido, Teodata) | George Frideric Handel, Christian Curnyn, Early Opera Company, Thomas Walker, Andrew Foster-Williams, Iestyn Davies, Hilary Summers | A♭ Minor | 3 | 1A | 110 BPM | ||
| The Lotus | Thomas Walker | G Major | 3 | 9B | 72 BPM | ||
| Path to Tao | Aroshanti | E Major | 1 | 12B | 90 BPM | ||
| True Peace | David R. Maracle | F♯ Minor | 0 | 11A | 72 BPM | ||
| An Ode on the Death of Mr Henry Purcell: III. So Ceas'd the Rival Crew When Purcell Came – | John Blow, Jonathan Cohen, Thomas Walker, Arcangelo | B Major | 2 | 1B | 77 BPM | ||
| Tranquil Mind | Aeoliah | B♭ Major | 0 | 6B | 170 BPM | ||
| Dread Sir, the Prince of Light: III. Let No Disloyal Cares His Peace Destroy – | John Blow, Arcangelo, Jonathan Cohen, Thomas Walker | B Major | 2 | 1B | 88 BPM | ||
| Wood Sword | Pixelpath | D♭ Major | 1 | 3B | 106 BPM | ||
| 1st Chakra / Muladhara | David & Steve Gordon | D Major | 3 | 10B | 120 BPM | ||
| The Gentle Energy | Harvey Summers | D Minor | 3 | 7A | 111 BPM | ||
| Bright Energy | Thomas Walker | G Major | 2 | 9B | 120 BPM | ||
| Send in the Clowns | Thomas Walker | C Major | 2 | 8B | 106 BPM | ||
| Sarabanda in C | Esaias Reusner, Thomas Walker | F♯ Minor | 0 | 11A | 145 BPM | ||
| Meeting of our Higher Selves | Patrick Bernard | A Minor | 0 | 8A | 71 BPM | ||
| Willow Pool | Niall | C Minor | 2 | 5A | 72 BPM | ||
| Return to Spiritlands | John Huling | B♭ Minor | 2 | 3A | 66 BPM | ||
| Sarabande in D | François Dufaut, Thomas Walker | D Major | 1 | 10B | 91 BPM |