"Poem, Op. 29" by Ian Venables, Richard Jenkinson, Benjamin Frith had its release date on May 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Moon Sails Out". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Poem, Op. 29's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Poem, Op. 29 by Ian Venables, Richard Jenkinson, Benjamin Frith having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| At Malvern, Op. 24a | Ian Venables, Richard Jenkinson, Benjamin Frith | F Major | 1 | 7B | 124 BPM | ||
| Sweet Babe Wrapt in Twilight Shade | Quire of Voyces | E Major | 2 | 12B | 59 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Sancta Mater | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | F Major | 0 | 7B | 98 BPM | ||
| Pine Boughs Past Music, Op. 39: I. My Heart Makes Songs on Lonely Roads | Ian Venables, Roderick Williams, Graham J. Lloyd | F Minor | 0 | 4A | 83 BPM | ||
| Missa super Susanne un jour à 5: I. Kyrie | Orlande de Lassus, Chœur De Chambre De Namur, Leonardo García-Alarcón, Lieselot De Wilde, Amélie Renglet, Valerio Contaldo | B♭ Major | 1 | 6B | 134 BPM | ||
| Mass for unaccompanied double choir: I. Kyrie | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 137 BPM | ||
| Reincarnations, Op. 16: III. The Coolin' | Samuel Barber, Polyphony, Stephen Layton | G Minor | 1 | 6A | 83 BPM | ||
| Statio quadruplex pro Processione Theophorica, ZWV158: Misericordia tua, Domine | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal | A Major | 3 | 11B | 108 BPM | ||
| Mass for Four Voices: IVa. Sanctus | William Byrd, Stile Antico | G Major | 1 | 9B | 82 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| Tu fais Ta demeure en nous | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | ||
| Vespers (All-Night Vigil), Op. 37: XII. Glory to God in the Highest | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Minor | 0 | 5A | 133 BPM | ||
| O Lovely and Luminous House | Brent Wells, BYU Singers | A Minor | 1 | 8A | 82 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| A Hymne to God the Father | Pelham Humfrey, Grace Davidson, Julian Perkins | A Minor | 1 | 8A | 82 BPM | ||
| Psalm 100, "Jauchzet dem Herrn, all Welt" | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | F Major | 1 | 7B | 95 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| When I Was in Trouble, I Called upon the Lord (Psalm 120) | William Sterndale Bennett, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 81 BPM |