- BPM
- 83
- Key
- G Minor
- Camelot
- 6A
Reincarnations, Op. 16: III. The Coolin' by Samuel Barber, Polyphony, Stephen Layton Song Details
"Reincarnations, Op. 16: III. The Coolin'" by Samuel Barber, Polyphony, Stephen Layton had its release date on June 28, 2015. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 21 in American Polyphony: Barber, Copland, Bernstein, R. Thompson by Polyphony, Randall Thompson, Stephen Layton, Samuel Barber, Leonard Bernstein, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Reincarnations, Op. 16: III. The Coolin' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Reincarnations, Op. 16: III. The Coolin' by Samuel Barber, Polyphony, Stephen Layton is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -20.43 dB
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 12%
- Instrumentalness
- 46%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | |
 | Stabat Mater (excerpt) - Alternate Version | The London Metropolitan Ensemble | F Minor | 1 | 4A | 121 BPM | |
 | Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM | |
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Adagio for Strings, Op. 11 | Samuel Barber, Gustavo Dudamel, Wiener Philharmoniker | B♭ Minor | 1 | 3A | 91 BPM | |
 | Lakmé: Flower Duet (Arr. for Violin and Strings by Vivan & Ketan Bhatti) | Léo Delibes, Esther Abrami | B Major | 1 | 1B | 82 BPM | |
 | Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestre National De Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | |
 | Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | |
 | The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | |
 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | |
 | Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | |
 | Benedictus | Karl Jenkins, Voces8, Christian Forshaw | D Major | 0 | 10B | 72 BPM | |
 | Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | |
 | Adagio for Strings, Op. 11 | Samuel Barber, Janos Balint, Lajos Lencsés, Reinhold Friedrich, Budapest Strings, Béla Bánfalvi | B♭ Minor | 0 | 3A | 102 BPM | |
 | Lacrimosa - Day of Tears | Zbigniew Preisner | D Minor | 2 | 7A | 108 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | |
 | The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | C Major | 2 | 8B | 99 BPM | |
 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | D Major | 2 | 10B | 91 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | |
 | Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | |
 | Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM |
- ISRC
- GBAJY1592905
- Label
- L-M Records/RCA Records