"Transfer Command - From "The Hunger Games: Mockingjay, Part 2" Soundtrack" by James Newton Howard had its release date on November 23, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "The Hunger Games: Mockingjay, Part 2 (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Transfer Command - From "The Hunger Games: Mockingjay, Part 2" Soundtrack is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transfer Command - From "The Hunger Games: Mockingjay, Part 2" Soundtrack by James Newton Howard having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There’s Always A Flaw | James Newton Howard | G Minor | 1 | 6A | 81 BPM | ||
| Amazons Of Themyscira | Rupert Gregson-Williams | E Minor | 2 | 9A | 80 BPM | ||
| Ahsoka’s Fall | Kevin Kiner | E Major | 3 | 12B | 129 BPM | ||
| Action at a distance | Max Richter | F Minor | 1 | 4A | 67 BPM | ||
| Mystery Training | Michael Giacchino | D♭ Major | 1 | 3B | 138 BPM | ||
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM | ||
| Carriage Escape | Daniel Pemberton | D Minor | 7 | 7A | 145 BPM | ||
| Running Blind | Felix Erskine, Orphan | C Major | 5 | 8B | 99 BPM | ||
| Miss Peregrine's Home for Peculiar Children | Mike Higham, Matthew Margeson | D Major | 3 | 10B | 89 BPM | ||
| Transfer Command - From "The Hunger Games: Mockingjay, Part 2" Soundtrack | James Newton Howard | A Minor | 1 | 8A | 89 BPM | ||
| The Crypt (Part 1) | Abel Korzeniowski | E Minor | 1 | 9A | 78 BPM | ||
| Loved Ones and Leaving | Nicholas Hooper | D Major | 1 | 10B | 90 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| The Sacking of Trelawny | Nicholas Hooper | G Minor | 1 | 6A | 86 BPM | ||
| Ranrok's Rage | chuck e. myers 'sea', Hogwarts Legacy | G Major | 1 | 9B | 172 BPM | ||
| Only Four Men | Paul Haslinger | C Minor | 3 | 5A | 91 BPM | ||
| A Boy Who Could Fly | John Powell | C Major | 4 | 8B | 94 BPM | ||
| Ahsoka Duels the Inquisitors | Kevin Kiner | B♭ Major | 5 | 6B | 150 BPM | ||
| Gathering all the Na'vi clans for battle | James Horner | D Minor | 2 | 7A | 157 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| Escape | Antonio Pinto | G Major | 1 | 9B | 101 BPM | ||
| Grey Comes Back | Rachel Portman | F Minor | 0 | 4A | 151 BPM | ||
| The Broadcast | James Newton Howard | C Major | 0 | 8B | 169 BPM | ||
| I'll Be Here Forever | Mike Higham, Matthew Margeson | F Minor | 1 | 4A | 73 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM |