"Explosion & Aftermath - Original Motion Picture Soundtrack" by Harry Gregson-Williams, London Session Orchestra had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Explosion & Aftermath - Original Motion Picture Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Spy Game". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Explosion & Aftermath - Original Motion Picture Soundtrack is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Explosion & Aftermath - Original Motion Picture Soundtrack by Harry Gregson-Williams, London Session Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Body | Nick Cave & Warren Ellis | D♭ Major | 3 | 3B | 91 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Etincelle | Evgueni Galperine, Sacha Galperine | F Major | 3 | 7B | 201 BPM | ||
| A Requiem For The Count | Federico Jusid | D Minor | 1 | 7A | 99 BPM | ||
| Prima del silenzio | Paolo Buonvino | D♭ Major | 2 | 3B | 170 BPM | ||
| Journey of the King Fish | BBC Concert Orchestra, Sarah Class | B Major | 6 | 1B | 87 BPM | ||
| Open Title | Terence Blanchard | E♭ Minor | 2 | 2A | 181 BPM | ||
| Algiers Ferry - Score | Harry Gregson-Williams | C Minor | 3 | 5A | 160 BPM | ||
| Su-Chou Prison - Original Motion Picture Soundtrack | Harry Gregson-Williams, London Session Orchestra | E Major | 8 | 12B | 97 BPM | ||
| Hotel Amari | Chris Benstead | D Major | 3 | 10B | 102 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| Sector 6 | Steve Jablonsky | C Major | 5 | 8B | 115 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | Jeff Barry, John Barry | F Major | 0 | 7B | 142 BPM | ||
| Who Are We to Say | Lisa Gerrard, Jeff Rona | G Major | 3 | 9B | 71 BPM | ||
| Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM | ||
| Research 11 | Rob | C Major | 5 | 8B | 180 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Icarus Ending | Adam Peters | C Minor | 4 | 5A | 106 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| The Butcher of Tehran | David Buckley | D♭ Major | 3 | 3B | 116 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | John Barry | E♭ Major | 1 | 5B | 92 BPM | ||
| Perfume - Distilled | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 2 | 4A | 96 BPM | ||
| Cradle to the Grave | Max Richter | G Major | 0 | 9B | 76 BPM | ||
| Good Girl | Ruth Barrett | D♭ Major | 1 | 3B | 69 BPM |