Рихард Вагнер, Оркестр Золотого Света, Московский Классический Оркестр, Оркестр Новая Классика, Оркестр Голубая Рапсодия's 'Парсифаль' had a release date set for April 23, 2001. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Опера в рок-обработках. Часть вторая, so we believe that "Парсифаль" is a single. In terms of popularity, Парсифаль is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Парсифаль by Рихард Вагнер, Оркестр Золотого Света, Московский Классический Оркестр, Оркестр Новая Классика, Оркестр Голубая Рапсодия is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vox Aeterna | St. Tikhon's Seminary Choir, Χορός Βατοπαιδινών Πατέρων | E♭ Major | 2 | 5B | 132 BPM | ||
| Cavalleria rusticana: Pt. I: Prelude | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 100 BPM | ||
| Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
| Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
| Let Beauty Awake | Γιάννη Yang | D♭ Minor | 5 | 12A | 78 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | E♭ Major | 2 | 5B | 132 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Парсифаль | Рихард Вагнер, Оркестр Золотого Света, Московский Классический Оркестр, Оркестр Новая Классика, Оркестр Голубая Рапсодия | A Minor | 4 | 8A | 105 BPM | ||
| Rossini: Stabat Mater: I. Stabat Mater dolorosa | Gioachino Rossini, Antonio Pappano, Anna Netrebko, Ildebrando D'Arcangelo, Joyce DiDonato, Lawrence Brownlee, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| L'elisir d'amore: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | B♭ Minor | 1 | 3A | 68 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
| Amarilli, mia bella | Giulio Caccini, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 126 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: No. 9, Valse et Choeur, (b) "Ne permettrez-vous pas ma belle demoiselle" (Faust, Marguerite, Siebel, Méphistophélès, Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Cavalleria Rusticana (1987 - Remaster): Viva il vino spumeggiante (Turiddu/Coro/Lola) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | G Major | 3 | 9B | 70 BPM | ||
| Magnificat: IV. Quia fecit mihi magna | MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Chór Astrolabium, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | C Minor | 1 | 5A | 120 BPM | ||
| Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B♭ Major | 2 | 6B | 95 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM |