Herlin Riley's ' "Borders Without Lines" was released on its scheduled release date, April 12, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Perpetual Optimism". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Borders Without Lines's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Borders Without Lines by Herlin Riley having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leave Me Here | Triosence | B♭ Minor | 3 | 3A | 104 BPM | ||
| Bewitched, Bothered & Bewildered | Sydney Claire, Leroy Jones, Herlin Riley, Neal Caine, Rick Germanson, Jerry Weldon, John Allred | F Major | 2 | 7B | 72 BPM | ||
| November 15 | Kenny Garrett | B♭ Minor | 5 | 3A | 81 BPM | ||
| Come Sunday | NJR All Stars, Herlin Riley, Wess Anderson, Doug Wamble, Milt Grayson, Spike Wilner, Rodney Whitaker, Wycliff Gordon, Victor Goines, Ronald Westray | B♭ Major | 1 | 6B | 130 BPM | ||
| Where Is Love | Monty Alexander | B Minor | 1 | 10A | 143 BPM | ||
| In A Sentimental Mood | Tommy Flanagan Trio | D Minor | 1 | 7A | 79 BPM | ||
| Chicken N’ Dumplins | Cory Weeds | E♭ Major | 6 | 5B | 124 BPM | ||
| Everything I Have Is Yours/Dedicated To You | Roy Hargrove Quintet | E♭ Major | 1 | 5B | 124 BPM | ||
| The Lonely Swan | Branford Marsalis Quartet | E Minor | 2 | 9A | 89 BPM | ||
| Have You Met Miss Jones | McCoy Tyner Trio | A♭ Major | 5 | 4B | 146 BPM | ||
| Embraceable You | The Art Farmer Quartet | C Major | 0 | 8B | 111 BPM | ||
| God Bless The Child | Stanley Turrentine | C Minor | 1 | 5A | 90 BPM | ||
| Hot Toddy | The Gene Harris Quartet | G Minor | 1 | 6A | 187 BPM | ||
| Inception | McCoy Tyner Trio | F Minor | 4 | 4A | 140 BPM | ||
| The Last Goodbye | Nicholas Payton | D Major | 2 | 10B | 160 BPM | ||
| Diga Diga Doo | David Ostwald, Randy Sandke, Wycliffe Gordon, Ken Peplowski, Mark Shane, Howard Alden, Herlin Riley | C Major | 7 | 8B | 113 BPM | ||
| Social Call | Art Farmer, Gigi Gryce | D Minor | 2 | 7A | 142 BPM | ||
| I've Never Been In Love Before | Kenny Barron Trio | A♭ Major | 6 | 4B | 95 BPM | ||
| If I Were A Bell | Red Garland, Paul Chambers, Art Taylor | F Major | 2 | 7B | 78 BPM | ||
| Blues Impromptus | Wycliffe Gordon, Victor Goines, Farid Barron, Rodney Whitaker, Herlin Riley | F Minor | 4 | 4A | 120 BPM | ||
| I Know Why (And So Do You) | Red Garland, Paul Chambers, Art Taylor | C Minor | 1 | 5A | 111 BPM | ||
| Feeling Good | Elvin Jones | A Minor | 1 | 8A | 134 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| I'll Be Glad When You're Dead | The Wonderful World of Louis Armstrong All Stars, Herlin Riley, Wycliffe Gordon, Reginald Veal | C Major | 7 | 8B | 180 BPM | ||
| The Shadowlands | Joel Ross | A♭ Major | 1 | 4B | 74 BPM |