On January 30, 2026, the song "La Bournonville (mouvement élevé)" was released by Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. La Bournonville (mouvement élevé)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 16 in FORQUERAY: PIÈCES DE CLAVECIN by Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. In terms of popularity, La Bournonville (mouvement élevé) is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of La Bournonville (mouvement élevé) by Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, L: Les Carillons de Paris, G. 140 (Version à quatre parties du 1er Carillon) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
| Flute Concerto in F Major, RV 434: II. Largo cantabile | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Karel Valter | D♭ Major | 5 | 3B | 175 BPM | ||
| Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
| Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: IV. Presto - Adagio | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 3 | 1A | 125 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Pieces de viole, Suite No. 2 in G Major: V. Chaconne, La Buisson | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Suite No. 3 in D Major: No. 7, La Morangis ou La Plissay. Mouvement de Chaconne | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Mathilde Vialle, Pau Marcos Vicens, Gabriel Rignol | F♯ Major | 0 | 2B | 102 BPM | ||
| Rosenkranzsonate No. 3 in B Minor, C 92 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Pièces de clavecin en concerts, Cinquième Concert, RCT 11: II. La Cupis (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Minor | 1 | 7A | 131 BPM | ||
| Sarabanda (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Pièces De Viole - 1Ere Suite. La Cottin | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
| Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
| La Girouette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Sonata VI in G Minor, HWV 391, Op. 2 No. 6: III. Arioso | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
| Le Triomphe de l'amour et l'hymen idylle, parodiée, En musique: Rondeau | Mademoiselle de Fumeron, Sophie de Bardonnèche, Justin Taylor | F♯ Minor | 1 | 11A | 87 BPM | ||
| Violin Sonata in A Major, Op. 5 No. 1: I. Adagio | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A♭ Major | 0 | 4B | 80 BPM | ||
| Pièces De Viole - 1Ere Suite. La Forqueray | Jordi Savall, Antoine Forqueray | F♯ Major | 2 | 2B | 86 BPM |