Herbert Howells, All Saints Aston Church Choir, Ian Watts's ' "All My Hope on God Is Founded - Michael" was released on its scheduled release date, August 27, 2021. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ian Watts, All Saints Aston Church Choir's "Hymns Collection (Glorious Things of Thee Are Spoken)" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, All My Hope on God Is Founded - Michael's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of All My Hope on God Is Founded - Michael by Herbert Howells, All Saints Aston Church Choir, Ian Watts to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) | Robert Schumann, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | C Major | 5 | 8B | 135 BPM | ||
| Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Magi veniunt ab oriente | Jacob Clemens non Papa, Choir of Clare College, Cambridge, Graham Ross | G Minor | 2 | 6A | 136 BPM | ||
| 4 Motets sur des thèmes grégoriens, Op. 10: No. 4, Tantum Ergo | Maurice Duruflé, Westminster Williamson Voices, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| III. There Was a Most Beautiful Lady | Herbert Howells, Matthew Schellhorn | D♭ Minor | 1 | 12A | 128 BPM | ||
| Sancta Mater | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | F Major | 0 | 7B | 98 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
| No. 1, Ubi caritas et amor | Maurice Duruflé, Choir of St John's, Elora, Noel Edison | A Major | 0 | 11B | 67 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| There Shall a Star (Mendelssohn) | Notre Dame Liturgical Choir | E♭ Major | 2 | 5B | 76 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 8, Rescue him, O Lord, in this his evil hour (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Creator Alme Siderum | The Washington and Lee University Singers | A♭ Major | 1 | 4B | 126 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Rough Notes | Nico Muhly, The Tallis Scholars, Peter Phillips | E♭ Major | 2 | 5B | 132 BPM | ||
| Paean for Organ | Herbert Howells, Iain Farrington | D Major | 1 | 10B | 56 BPM | ||
| Three Songs of Faith: I. hope, faith, life, love.... | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
| Mass for unaccompanied double choir: III. Credo | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 1 | 9A | 129 BPM |