"From the Beyond (Inspired by Silent Witness)" by Silver Screen Sound Machine had its release date on May 22, 2020. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Watching the Detectives by Silver Screen Sound Machine. The song's track number on the album is #15 out of 18 tracks. Based on our statistics, From the Beyond (Inspired by Silent Witness)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since From the Beyond (Inspired by Silent Witness) by Silver Screen Sound Machine has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With From the Beyond (Inspired by Silent Witness) being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finale | John Paesano, Pete Anthony, American Federation of Musicians | A Major | 2 | 11B | 116 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Long Walk Home | Theodore Shapiro | D♭ Minor | 2 | 12A | 118 BPM | ||
| The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM | ||
| The Constant | Michael Giacchino | F Major | 1 | 7B | 87 BPM | ||
| The Morrow from Gattaca | Jeremy Limb | B♭ Minor | 0 | 3A | 72 BPM | ||
| Pan's Labyrinth Lullaby | Javier Navarrete | C Minor | 1 | 5A | 71 BPM | ||
| Bemidji, MN (Fargo Series Main Theme) | Jeff Russo | D Minor | 1 | 7A | 85 BPM | ||
| Joplin: Bethena (A Concert Waltz) | Randy Kerber | G Major | 1 | 9B | 59 BPM | ||
| The Canyon | A.R. Rahman | C Major | 0 | 8B | 83 BPM | ||
| Act Of Valor | Nathan Furst | D Minor | 2 | 7A | 90 BPM | ||
| Ride to Death | Carter Burwell | G Major | 0 | 9B | 83 BPM | ||
| Manchester By The Sea Chorale | Lesley Barber | A Major | 1 | 11B | 64 BPM | ||
| The Medals | Lennie Niehaus | C Major | 0 | 8B | 131 BPM | ||
| Suicide | Marc Streitenfeld | C Major | 2 | 8B | 45 BPM | ||
| Crime Scene | Emilio Kauderer, Federico Jusid | D Minor | 1 | 7A | 70 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Would You date me? | Henry Jackman | C Major | 0 | 8B | 76 BPM | ||
| Requiem | Angelo Milli | F♯ Minor | 2 | 11A | 73 BPM | ||
| Lake Baikal | Burkhard Dallwitz | F Minor | 7 | 4A | 92 BPM | ||
| Departures n1 | Dustin O'Halloran | F Minor | 3 | 4A | 88 BPM | ||
| It's a Life | Burkhard Dallwitz | E Major | 2 | 12B | 120 BPM |