"4 Pictures from New York (Version for Saxophone & Piano): No. 2, Tango Club" by Roberto Molinelli, Otis Murphy, Haruko Murphy had its release date on January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Summertime". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 4 Pictures from New York (Version for Saxophone & Piano): No. 2, Tango Club's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Pictures from New York (Version for Saxophone & Piano): No. 2, Tango Club by Roberto Molinelli, Otis Murphy, Haruko Murphy having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto (Arr. for Viola & Orchestra by Anna Serova): II. Allegro appassionato | William Walton, Anna Serova, Orchestra Haydn di Bolzano e Trento, Roberto Molinelli | G Major | 3 | 9B | 127 BPM | ||
| Intermezzo - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | F Major | 1 | 7B | 74 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | E Minor | 1 | 9A | 75 BPM | ||
| I. On the top of Cape Finisterre | Ricardo Mollá, Esteban Batallán, Ricardo Mollá Albero, Alberto Urretxo, Bilbao Symphony Orchestra | B♭ Major | 2 | 6B | 114 BPM | ||
| Praeludium and Allegro in the Style of Gaetano Pugnani (arr. Janoska Ensemble) | Janoska Ensemble | E Minor | 3 | 9A | 84 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| 1. Arturo Márquez (1950) La Sinfonía Imposible: Las Peras del Olmo (2022): 4. Sin Retorno (Migración), para Clarinete, Trompeta y Orquesta Sacha Rattle, Clarinete y Pacho Flores, Trompeta - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| 4 Pictures from New York (Version for Saxophone & Piano): No. 1, Dreamy Dawn | Roberto Molinelli, Otis Murphy, Haruko Murphy | C Major | 1 | 8B | 99 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Lemon Light | Rylandiaa | E Major | 3 | 12B | 178 BPM | ||
| Nocturno, Op. 7 | Franz Strauss, Xiao-Ming Han, Rainer Müller-van Recum, Marc Engelhardt, Dora Bratchkova, Peter Schmalfuss | B♭ Major | 1 | 6B | 112 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E Minor | 1 | 9A | 75 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Duo for Clarinet & Piano in E-Flat Major, Op. 15 | Norbert Burgmüller, Bettina Aust, Robert Aust | D♭ Major | 1 | 3B | 139 BPM | ||
| Clarinet solo | Ragnar Bjerkreim, Operaorkesteret, Per Kristian Skalstad | G Minor | 2 | 6A | 160 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
| Trio for Piano, Clarinet & Viola in A Major, Op. 264: IV. Finale. Allegro moderato | Carl Reinecke, Sergio Bosi, Roberto Molinelli, Riccardo Bartoli | B Minor | 0 | 10A | 126 BPM | ||
| Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | ||
| Concert Etude, Op. 49 | Alexander Goedicke, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | E Minor | 1 | 9A | 75 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | E Minor | 1 | 9A | 75 BPM | ||
| Elgar / Arr. Nakariakov for Flugelhorn and Piano: Salut d'amour, Op. 12 | Edward Elgar, Sergei Nakariakov, Maria Meerovitch | G Minor | 0 | 6A | 75 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM |