"Raval" by Gustavo Santaolalla had its release date on January 1, 2010. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 26 in Biutiful by Gustavo Santaolalla. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Raval is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Raval by Gustavo Santaolalla is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Making Your Way Home | Masatoshi Yanagi | B Minor | 1 | 10A | 143 BPM | ||
| Through The Valley | Ashley Johnson | C Major | 0 | 8B | 67 BPM | ||
| The Painter On His Way To Work On The Road To Tarascon | Clint Mansell | D♭ Major | 0 | 3B | 80 BPM | ||
| Writing the Letter | Marc Streitenfeld | C Major | 2 | 8B | 136 BPM | ||
| Little One - Kara | Philip Sheppard | F Minor | 0 | 4A | 60 BPM | ||
| Defeated Clown | Hildur Guðnadóttir | G Major | 2 | 9B | 97 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Ecstasy (Instrumental Edit) | Crooked Still | A Minor | 4 | 8A | 132 BPM | ||
| Padmé's Ruminations | John Williams, London Symphony Orchestra | D Major | 0 | 10B | 86 BPM | ||
| Eye for an Eye | Mac Quayle | A Major | 1 | 11B | 92 BPM | ||
| Moonlight | Daniel Lanois, Daryl Johnson, Joseph Maize, Darryl Hatcher, Rhiannon Giddens | G Major | 1 | 9B | 95 BPM | ||
| The Quarantine Zone (20 Years Later) | Gustavo Santaolalla | C Minor | 1 | 5A | 115 BPM | ||
| Saferoom | Miwako Chinone | F♯ Minor | 0 | 11A | 94 BPM | ||
| Sendero | Gustavo Santaolalla, Don Markese, Braulio Barrera, Javier Casalla, Anibal Kerpel | F♯ Minor | 5 | 11A | 90 BPM | ||
| Alex Theme | Mick Gordon | D Minor | 2 | 7A | 108 BPM | ||
| Exit Music (For a Film) | Ramin Djawadi | G Major | 2 | 9B | 128 BPM | ||
| Detroit Become Human - Opening Theme | Norman Dück | E Minor | 1 | 9A | 124 BPM | ||
| All Gone (Seasons) | Gustavo Santaolalla | C Major | 0 | 8B | 90 BPM | ||
| Resolve | Gustavo Santaolalla | C Major | 0 | 8B | 92 BPM | ||
| The North Remembers | Ramin Djawadi | E♭ Major | 0 | 5B | 117 BPM | ||
| A Lowly Shoe Salesman | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Pan's Labyrinth Lullaby | Javier Navarrete | C Minor | 1 | 5A | 71 BPM | ||
| By 1899, The Age Of Outlaws And Gunslingers Was At An End | Jeff Silverman, Luke O’Malley, Woody Jackson | F Major | 1 | 7B | 67 BPM | ||
| Mandus | Jessica Curry | D Minor | 3 | 7A | 140 BPM | ||
| Survive | David Fleming | E Minor | 0 | 9A | 80 BPM |