David Popper, Martin Rummel, Mari Kato's 'Waltz Suite, Op. 60: Finale' had a release date set for September 24, 2013. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Waltz Suite, Op. 60: Finale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Popper: Complete Suites for Cello". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Austria. Based on our statistics, Waltz Suite, Op. 60: Finale's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Waltz Suite, Op. 60: Finale by David Popper, Martin Rummel, Mari Kato having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarasate: Spanish Dances, Op. 23: II. Zapateado (Allegro) | Pablo de Sarasate, Itzhak Perlman, Samuel Sanders | A Major | 3 | 11B | 114 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Concerto grosso No.1: 1. Prelude: Allegro energico e pesante | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | B♭ Major | 3 | 6B | 129 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
| 20 Waltzes (Letzte Waltzer) D 146, Op. 127: Valse (Ländler) No. 12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
| Leclair: Sonata for 2 Violins in E Minor, Op. 3 No. 5: II. Gavotte. Andante grazioso | Jean-Marie Leclair, Itzhak Perlman, Pinchas Zukerman | E Minor | 1 | 9A | 114 BPM | ||
| 12 Caprices for Solo Cello, Op. 25: No. 7, Maestoso | Alfredo Piatti, Soo Bae | C Major | 1 | 8B | 106 BPM | ||
| Elegy No. 2, "Romanza Drammatica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 127 BPM | ||
| Carmen Concert Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation III - Andante sostenuto | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 0 | 10B | 95 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Ysaÿe: Sonata for Solo Violin in D Minor, Op. 27 No. 3 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | D Minor | 2 | 7A | 108 BPM | ||
| Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic | C Minor | 1 | 5A | 79 BPM | ||
| Violin Concerto No. 9 in A Minor, Op. 104: II. Adagio | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | E Major | 1 | 12B | 129 BPM | ||
| Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra, Yo-Yo Ma | C Major | 2 | 8B | 97 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: V. Danse infernale du roi Kastchei | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | C Major | 5 | 8B | 130 BPM | ||
| Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 72 BPM |