On October 25, 2024, the song "Tere Haathon Mein" was released by Vipin Sachdeva, Sadhana Sargam. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Suhane Pal - Asha Bhosle Hits Vol 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Tere Haathon Mein's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tere Haathon Mein by Vipin Sachdeva, Sadhana Sargam having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghumat Firat Abe Mor Ganv | Gofelal Gendle | A♭ Major | 9 | 4B | 85 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Ankhon Mein Kajal Hai | Babul Supriyo, Sadhana Sargam | F♯ Major | 6 | 2B | 114 BPM | ||
| Ho Meera Roye | Ak Anupam | F♯ Major | 5 | 2B | 106 BPM | ||
| Tumse O Haseena | Mohammad Salamat, Sadhana Sargam | D Major | 6 | 10B | 96 BPM | ||
| Sath Nibhane Wali Sath Mera Chhod Na Diye | Kalpana Chauhan, Rajnish Sharma | G Minor | 8 | 6A | 145 BPM | ||
| Tune Aise Darbaar | Shahnaaz Akhtar | D♭ Major | 6 | 3B | 150 BPM | ||
| Sankat Ka Najaara Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM | ||
| Kanchan Kachnar Gori | Sanjay Surila | G Major | 8 | 9B | 120 BPM | ||
| Jo Bhi Darbar Mein Aaya | Sanjay Mittal | A Minor | 6 | 8A | 74 BPM | ||
| Hay Re Mor Rani | Shiv Kumar Tiwari | E Major | 7 | 12B | 77 BPM | ||
| Ek Baar Mere Ghar Aao Maa | Kumar Vishu | B♭ Minor | 7 | 3A | 95 BPM | ||
| Maiya Aan Pade Tere Dware | Saksham Goyal | F Minor | 10 | 4A | 192 BPM | ||
| Aaya Hoon Badi Door Se - Jhankar | Vipin Sachdeva | C Major | 8 | 8B | 125 BPM | ||
| Pyar Ke Mod Par | Poonam Gondaliya | F♯ Major | 7 | 2B | 138 BPM | ||
| Birna Birna | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Govind Chale Aao Gopal Chale Aao | Aarti Ji | B♭ Minor | 7 | 3A | 95 BPM | ||
| Parbat Ke Peechhe | Babul Supriyo, Sadhana Sargam | F Major | 7 | 7B | 84 BPM | ||
| Ho Rahi Jai - Jaikar Shyam Tere Mandir Mein | Kumar Vishu | A Major | 7 | 11B | 186 BPM | ||
| Seena Phaad Dikha Dala | Sukha Ram Saroa | C Major | 10 | 8B | 144 BPM | ||
| Shyam Tharo Naam Lage | Reshmi Sharma | D Major | 5 | 10B | 85 BPM | ||
| Goda Ma Raipur Sahar | Mamta Chandrakar | D♭ Major | 8 | 3B | 148 BPM | ||
| Pati Ke Naam Par Jo | Sanjay Mittal | G Minor | 6 | 6A | 147 BPM | ||
| Atka Sundar Tor Roop He Ram Ji | Hiresh Sinha, Jiteshwari Sinha | G Major | 6 | 9B | 126 BPM | ||
| Tere Haathon Mein | Vipin Sachdeva, Sadhana Sargam | E Major | 6 | 12B | 131 BPM |