Raphaël Feuillâtre's '8 Valses Poeticos: No. 6, Quasi ad Libitum (Sentimental) [Arr. Raphaël Feuillâtre]' had a release date set for July 4, 2018. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Raphaël Feuillâtre: Guitar Recital". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. 8 Valses Poeticos: No. 6, Quasi ad Libitum (Sentimental) [Arr. Raphaël Feuillâtre] is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 8 Valses Poeticos: No. 6, Quasi ad Libitum (Sentimental) [Arr. Raphaël Feuillâtre] by Raphaël Feuillâtre having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Abiton for Guitar) | Johann Sebastian Bach, Raphaël Feuillâtre | D Minor | 0 | 7A | 127 BPM | ||
| Prélude, Op. 10 | Mel Bonis, Rosie Bennet | B♭ Major | 0 | 6B | 67 BPM | ||
| Fantasie | Silvius Leopold Weiss, Miloš Karadaglić | D Minor | 1 | 7A | 91 BPM | ||
| Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | ||
| L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Major | 1 | 9B | 150 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| The Arts and the Hours (Arr. for Guitar by Michael Lewin) | Jean-Philippe Rameau, Miloš Karadaglić | C Major | 1 | 8B | 108 BPM | ||
| Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) | Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins | E Minor | 1 | 9A | 99 BPM | ||
| Barrios Mangoré: Un sueño en la floresta | Agustín Barrios Mangoré, Thibaut García | G Major | 2 | 9B | 73 BPM | ||
| Cinema Suite: I. Lolita | Ennio Morricone, Marco Serino, Leandro Piccioni | E Minor | 0 | 9A | 91 BPM | ||
| Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM | ||
| Sun Triptych: II. Day | Dobrinka Tabakova, Roman Mints, Kristine Blaumane, BBC Concert Orchestra | D Major | 3 | 10B | 76 BPM | ||
| Minueto Maestoso No. 3 in D Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | E Major | 1 | 12B | 129 BPM | ||
| Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): II. Larghetto (Arr. Perroy for Guitar) | Johann Sebastian Bach, Raphaël Feuillâtre | B♭ Major | 0 | 6B | 83 BPM | ||
| 12 Songs for Guitar: No. 8, Here, There and Everywhere - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, John Lennon, Paul McCartney, Giacomo Palazzesi | G Major | 0 | 9B | 82 BPM | ||
| Variations on a Theme by Scriabin | Raphaël Feuillâtre | A Major | 1 | 11B | 105 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Larghetto | Victoria Yagling, Raphaela Gromes, Julian Riem | A Minor | 1 | 8A | 69 BPM | ||
| One Step Closer | Gerard Cousins | B♭ Major | 0 | 6B | 67 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
| Delibes: Lakmé, Act 1: Duo des fleurs (Instrumental Version) | Léo Delibes, Camille Berthollet, Romain Dumas, Orchestre National Bordeaux Aquitaine | A Major | 2 | 11B | 82 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM |