- BPM
- 137
- Key
- D Major
- Camelot
- 10B
Rhapsody in Blue: II. by George Gershwin, Calefax Reed Quintet Song Details
"Rhapsody in Blue: II." by George Gershwin, Calefax Reed Quintet had its release date on March 17, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 19 in An American Rhapsody by Calefax Reed Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Rhapsody in Blue: II.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Rhapsody in Blue: II. by George Gershwin, Calefax Reed Quintet is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.092 dB
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 7%
- Instrumentalness
- 92%
- Liveness
- 15%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM | |
 | Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM | |
 | Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A Minor | 1 | 8A | 82 BPM | |
 | Piano Concerto in F: 2. Adagio | George Gershwin, Peter Jablonski, Royal Philharmonic Orchestra, Vladimir Ashkenazy | F♯ Major | 0 | 2B | 76 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Gershwin: Porgy and Bess, Act 2: "I Loves You, Porgy" (Orch. Elliott) | George Gershwin, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | D♭ Major | 2 | 3B | 70 BPM | |
 | Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | |
 | Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | |
| 2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai | Anton Rubinstein, Ludmila Peterková, Irina Kondratenko | F Major | 0 | 7B | 70 BPM | |
 | 13 Pieces, Op. 76: No. 3 Carillon | Jean Sibelius, Håvard Gimse | F Major | 0 | 7B | 72 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Piano Concerto in F: II. Adagio | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | F♯ Major | 0 | 2B | 139 BPM | |
 | The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | |
 | Heliotrope Bouquet: A Slow Drag Two-Step | Scott Joplin, Alexander Peskanov | G Major | 1 | 9B | 132 BPM | |
 | Praeludium & Allegro "by Gaetano Pugnani" | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM | |
 | Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM | |
 | Solace - A Mexican Serenade | Scott Joplin, Joshua Rifkin | C Major | 0 | 8B | 83 BPM | |
 | 3 Preludes : Allegro Ben Ritmato E Deciso | Leon Bates, George Gershwin | A♭ Minor | 2 | 1A | 74 BPM | |
 | Bagatelles et impromptus, JB 1:19: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 76 BPM | |
 | Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | |
 | The Girl from Corsica | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Minor | 1 | 6A | 68 BPM | |
 | Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 116 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM |
- ISRC
- NLE422304602
- Label
- L-M Records/RCA Records