"Larghetto" by Carl Maria von Weber, Daniel Hope, Jacques Ammon had its release date on August 14, 2020. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Hope's "Hope@Home" album is number 6 out of 21. Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Larghetto by Carl Maria von Weber, Daniel Hope, Jacques Ammon to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: I. Allegro | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | G Major | 0 | 9B | 83 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft | Robert Schumann, Nikolaus Harnoncourt, Berliner Philharmoniker | B♭ Major | 1 | 6B | 83 BPM | ||
| Weber: Clarinet Concertino in E-Flat Major, Op. 26, J. 109: I. Adagio ma non troppo | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | C Major | 1 | 8B | 174 BPM | ||
| Romanze in f-Moll, Op. 11, B. 39: Romance for Violin and Orchestra in F Minor, Op. 1 | Antonín Dvořák, Ilya Kaler, Polish National Radio Symphony Orchestra, Camilla Kolchinsky | D♭ Major | 0 | 3B | 100 BPM | ||
| Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 71 BPM | ||
| Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | ||
| Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | C Minor | 0 | 5A | 86 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Die drei Pintos, J. Anh. 5, Act III: Mit lieblichen Blumen, mit duftenden Bluten (Completed G. Mahler) | Carl Maria von Weber, Sinéad Campbell, Peter Furlong, Robert Holzer, Ales Jenis, Stewart Kempster, Sophie Marilley, Lubomir Matl, Eric Shaw, Alessandro Svab, Barbara Zechmeister, Wexford Festival Opera Chorus, Belarussian National Philharmonic Orchestra, Paolo Arrivabeni | B♭ Major | 0 | 6B | 183 BPM | ||
| L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 79 BPM | ||
| Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Fritz Kreisler, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 128 BPM | ||
| Sextet in E-Flat Major, Op. 81b: II. Adagio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | A♭ Major | 0 | 4B | 99 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn | E Major | 1 | 12B | 105 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Five pieces for Two Violins and Piano: II. Gavotte- Tranquillo, molto leggiero | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | F Minor | 3 | 4A | 172 BPM | ||
| Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | ||
| Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato | Franz Liszt, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A♭ Major | 2 | 4B | 80 BPM | ||
| Romance in F Major for Viola and Orchestra, Op. 85 | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | ||
| Symphony No. 8 in C Minor, WAB 108: II. Scherzo: Allegro moderato - Trio. Langsam | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 125 BPM |