"Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Ride Of The Valkyries" by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund had its release date on May 6, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner, R. (The Best Of) by Richard Wagner. The song's track number on the album is #7 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Ride Of The Valkyries is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Ride Of The Valkyries by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Ride Of The Valkyries being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaiser-Walzer, Op. 437 | Johann Strauss II, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 1 | 8B | 96 BPM | ||
| Can Can, Offenbach | Beethoven's Wig | E♭ Major | 4 | 5B | 80 BPM | ||
| Carmen, WD 31: Prelude to Act 1 | Georges Bizet, Staatskapelle Dresden, Silvio Varviso | F Major | 4 | 7B | 128 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E Minor | 2 | 9A | 87 BPM | ||
| Leichte Kavallerie (Light Cavalry) | Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice | A Major | 3 | 11B | 117 BPM | ||
| 白鳥の湖 〜情景 [チャイコフスキー] | Pyotr Ilyich Tchaikovsky, ステファン・ゾルテス, Wiener Symphoniker | G Major | 3 | 9B | 150 BPM | ||
| Music to Goethe's Tragedy "Egmont" op.84: Overture | Ludwig van Beethoven, Munich Philharmonic Orchestra, Christian Thielemann | F Minor | 1 | 4A | 89 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Marche slav, Op. 31, TH 45: Marche slave (Slavonic March), Op. 31 [Live] | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | E♭ Major | 2 | 5B | 66 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Zagreb Philharmonic Orchestra, Richard Edlinger | C Minor | 2 | 5A | 102 BPM | ||
| The Entertainer | Scott Joplin, Morten Gunnar Larsen | F Major | 2 | 7B | 160 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Cavatina Figaro | Giacomo Rossi, Helmuth Brandenburg | C Major | 3 | 8B | 61 BPM | ||
| Romeo and Juliet, Op. 64, Act I: Dance of the Knights | Sergei Prokofiev, Ukraine National Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM | ||
| Rhapsody in Blue | George Gershwin, Kathryn Selby, Slovak Radio Symphony Orchestra, Richard Hayman | D♭ Major | 1 | 3B | 126 BPM | ||
| Votre Toast, Je Peux Vous Le Rendre | Henri Meilhac, Alan Titus, Graciela Alperyn, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Giorgio Lamberti, Doina Palade, Ludovic Halévy, Georges Bizet | F Major | 3 | 7B | 105 BPM | ||
| Fantasy-Impromptu in C-Sharp Minor, Op. 66 | Frédéric Chopin, Balazs Szokolay | A Major | 5 | 11B | 85 BPM | ||
| Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Major | 2 | 1B | 172 BPM | ||
| Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| 組曲「動物の謝肉祭」 5. 象 | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 2 | 10B | 122 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 5 | 11B | 99 BPM | ||
| Má Vlast: The Moldau (Vltava), JB 1:112/2 | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | G Major | 2 | 9B | 98 BPM | ||
| Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": I. Allegro | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | G Major | 1 | 9B | 136 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | G Major | 1 | 9B | 87 BPM | ||
| Gaîté Parisienne: Cancan | Jacques Offenbach, Leonard Bernstein, New York Philharmonic | D Major | 7 | 10B | 87 BPM |