"IV And Sarah Escape" by Trevor Rabin had its release date on January 1, 2011. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Trevor Rabin's "I Am Number Four (Original Motion Picture Soundtrack)" album is number 9 out of 21. On top of that, United States appears to be the country where this track was created. IV And Sarah Escape is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of IV And Sarah Escape by Trevor Rabin to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plane To Chicago | Elliot Goldenthal | E Minor | 4 | 9A | 73 BPM | ||
| Sarah Connor's Theme | Bear McCreary | D Minor | 3 | 7A | 140 BPM | ||
| Mowgli's Leaving - Elephant Theme | John Debney | D♭ Minor | 1 | 12A | 109 BPM | ||
| 503 (From "Angels & Demons" Soundtrack) | Hans Zimmer, Joshua Bell, Nick Glennie-Smith | D Minor | 5 | 7A | 92 BPM | ||
| The Patriot: Main Theme | Dan Redfeld & Elizabeth Hedman | C Major | 1 | 8B | 75 BPM | ||
| Meeting Miriam | Carter Burwell | C Major | 2 | 8B | 67 BPM | ||
| The Patriot (Main Theme) | Starlite Orchestra & Singers | C Major | 3 | 8B | 81 BPM | ||
| Poe Meets Larkin | Trevor Rabin, Mark Mancina | D Major | 1 | 10B | 80 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Mayflies - From "Our Planet" | Steven Price | F♯ Major | 3 | 2B | 108 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Finale | Ramin Djawadi | D Major | 6 | 10B | 145 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Apprenticed | Carter Burwell | D Major | 0 | 10B | 179 BPM | ||
| Theme From Sherlock Holmes (From "Sherlock Holmes") | Movie Sounds Unlimited | D Minor | 3 | 7A | 78 BPM | ||
| A King's Sadness | William Ross | C Minor | 0 | 5A | 84 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| X-Men | Henry Jackman | B♭ Major | 1 | 6B | 88 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| El Matador Del Mar | Geoff Zanelli | C Minor | 4 | 5A | 88 BPM | ||
| Lemurian Star | Henry Jackman | C Minor | 4 | 5A | 136 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM |